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Table of Contents

  1. Ghosts
  2. Speer Morgan
  3. pp. 5-9
  4. DOI: https://doi.org/10.1353/mis.2013.0039
  5. restricted access
  1. Mile Point Road
  2. Nathan Oates
  3. pp. 10-28
  4. DOI: https://doi.org/10.1353/mis.2013.0041
  5. restricted access
  1. The War Reporter Paul Watson Remembers the Escape
  2. Dan O'Brien
  3. p. 29
  4. DOI: https://doi.org/10.1353/mis.2013.0047
  5. restricted access
  1. The War Reporter Paul Watson in the Colonies
  2. Dan O'Brien
  3. pp. 30-31
  4. DOI: https://doi.org/10.1353/mis.2013.0049
  5. restricted access
  1. The War Reporter Paul Watson and the Mountain Gorillas
  2. Dan O'Brien
  3. pp. 32-33
  4. DOI: https://doi.org/10.1353/mis.2013.0051
  5. restricted access
  1. The War Reporter Paul Watson Gives the Poet Some Advice
  2. Dan O'Brien
  3. p. 34
  4. DOI: https://doi.org/10.1353/mis.2013.0054
  5. restricted access
  1. The War Reporter Paul Watson Interviews the Negotiator
  2. Dan O'Brien
  3. pp. 35-36
  4. DOI: https://doi.org/10.1353/mis.2013.0056
  5. restricted access
  1. Images
  2. pp. 37-187
  3. DOI: https://doi.org/10.1353/mis.2013.0036
  4. restricted access
  1. My New York: A Romance in Eight Parts
  2. Peter Selgin
  3. pp. 38-56
  4. DOI: https://doi.org/10.1353/mis.2013.0031
  5. restricted access
  1. The Brochures
  2. Pamela Painter
  3. pp. 58-67
  4. DOI: https://doi.org/10.1353/mis.2013.0033
  5. restricted access
  1. Au Train de Vie: That Voice You Hear When Traveling
  2. Peter LaSalle
  3. pp. 68-92
  4. DOI: https://doi.org/10.1353/mis.2013.0035
  5. restricted access
  1. Dark Matter, and: February Nocturne, and: The Old Nerve, and: Rural Especial Scene, and: After
  2. Aaron Baker
  3. pp. 93-98
  4. DOI: https://doi.org/10.1353/mis.2013.0038
  5. restricted access
  1. Dark Matter
  2. Aaron Baker
  3. p. 94
  4. DOI: https://doi.org/10.1353/mis.2013.0058
  5. restricted access
  1. February Nocturne
  2. Aaron Baker
  3. p. 95
  4. DOI: https://doi.org/10.1353/mis.2013.0046
  5. restricted access
  1. The Old Nerve
  2. Aaron Baker
  3. p. 96
  4. DOI: https://doi.org/10.1353/mis.2013.0048
  5. restricted access
  1. Rural Especial Scene
  2. Aaron Baker
  3. p. 97
  4. DOI: https://doi.org/10.1353/mis.2013.0050
  5. restricted access
  1. After
  2. Aaron Baker
  3. p. 98
  4. DOI: https://doi.org/10.1353/mis.2013.0053
  5. restricted access
  1. Straight Magic: Houdini and the Art of Illusion
  2. Kristine Somerville, Speer Morgan
  3. pp. 99-120
  4. DOI: https://doi.org/10.1353/mis.2013.0040
  5. restricted access
  1. Last Flight
  2. Peter Levine
  3. pp. 122-135
  4. DOI: https://doi.org/10.1353/mis.2013.0042
  5. restricted access
  1. A Conversation with Karen Russell
  2. David Naimon
  3. pp. 136-147
  4. DOI: https://doi.org/10.1353/mis.2013.0044
  5. restricted access
  1. Oh no, it's one of those times
  2. Diane Seuss
  3. p. 150
  4. DOI: https://doi.org/10.1353/mis.2013.0052
  5. restricted access
  1. I snapped it over my knee like kindling.
  2. Diane Seuss
  3. pp. 151-152
  4. DOI: https://doi.org/10.1353/mis.2013.0055
  5. restricted access
  1. There's Some I Just Won't Let Die
  2. Diane Seuss
  3. p. 153
  4. DOI: https://doi.org/10.1353/mis.2013.0057
  5. restricted access
  1. Free Beer
  2. Diane Seuss
  3. p. 154
  4. DOI: https://doi.org/10.1353/mis.2013.0045
  5. restricted access
  1. Only Child
  2. Michael Benedict
  3. pp. 156-176
  4. DOI: https://doi.org/10.1353/mis.2013.0034
  5. restricted access
  1. Stories of Distant Lands
  2. Lania Knight
  3. pp. 177-186
  4. DOI: https://doi.org/10.1353/mis.2013.0037
  5. restricted access