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Table of Contents

  1. The Shadow
  2. Speer Morgan
  3. pp. 5-7
  4. DOI: https://doi.org/10.1353/mis.2010.0044
  5. restricted access
  1. The Saddest Music Ever Written: Samuel Barber's Adagio for Strings
  2. Thomas Larson
  3. pp. 8-22
  4. DOI: https://doi.org/10.1353/mis.2010.0045
  5. restricted access
  1. Corrida de Toros
  2. Danielle Cadena Deulen
  3. pp. 24-25
  4. DOI: https://doi.org/10.1353/mis.2010.0061
  5. restricted access
  1. Fig
  2. Danielle Cadena Deulen
  3. p. 26
  4. DOI: https://doi.org/10.1353/mis.2010.0063
  5. restricted access
  1. After the Twentieth Century
  2. Danielle Cadena Deulen
  3. p. 27
  4. DOI: https://doi.org/10.1353/mis.2010.0066
  5. restricted access
  1. Lacan at the Carousel
  2. Danielle Cadena Deulen
  3. pp. 28-29
  4. DOI: https://doi.org/10.1353/mis.2010.0053
  5. restricted access
  1. I Want You Dangerously
  2. Danielle Cadena Deulen
  3. p. 30
  4. DOI: https://doi.org/10.1353/mis.2010.0056
  5. restricted access
  1. Revolution
  2. Danielle Cadena Deulen
  3. p. 31
  4. DOI: https://doi.org/10.1353/mis.2010.0058
  5. restricted access
  1. Of Questionable Provenance
  2. Susan Ford
  3. pp. 32-56
  4. DOI: https://doi.org/10.1353/mis.2010.0051
  5. restricted access
  1. Images
  2. pp. 57-187
  3. DOI: https://doi.org/10.1353/mis.2010.0041
  4. restricted access
  1. A Conversation with Aimee Bender
  2. Brian Beglin
  3. pp. 58-70
  4. DOI: https://doi.org/10.1353/mis.2010.0037
  5. restricted access
  1. Love Song with Ruin, and: Eros Poetica, and: Sincerely, and: Invocation, and: Forget
  2. Paul Guest
  3. p. 71
  4. DOI: https://doi.org/10.1353/mis.2010.0040
  5. restricted access
  1. Love Song with Ruin
  2. Paul Guest
  3. pp. 72-73
  4. DOI: https://doi.org/10.1353/mis.2010.0064
  5. restricted access
  1. Eros Poetica
  2. Paul Guest
  3. pp. 74-75
  4. DOI: https://doi.org/10.1353/mis.2010.0067
  5. restricted access
  1. Sincerely
  2. Paul Guest
  3. p. 76
  4. DOI: https://doi.org/10.1353/mis.2010.0054
  5. restricted access
  1. Invocation
  2. Paul Guest
  3. p. 77
  4. DOI: https://doi.org/10.1353/mis.2010.0057
  5. restricted access
  1. Forget
  2. Paul Guest
  3. p. 78
  4. DOI: https://doi.org/10.1353/mis.2010.0059
  5. restricted access
  1. Clues to a Lost Woman: The Photography of Francesca Woodman
  2. Kris Somerville
  3. pp. 79-91
  4. DOI: https://doi.org/10.1353/mis.2010.0043
  5. restricted access
  1. Florida Lives
  2. Dionne Irving
  3. pp. 92-104
  4. DOI: https://doi.org/10.1353/mis.2010.0047
  5. restricted access
  1. "Look Down, Don't Look Down"
  2. Christopher Wall
  3. pp. 106-116
  4. DOI: https://doi.org/10.1353/mis.2010.0033
  5. restricted access
  1. When I Was the Virgin of Westchester
  2. Maureen Seaton
  3. p. 118
  4. DOI: https://doi.org/10.1353/mis.2010.0060
  5. restricted access
  1. When I Was The Donna Reed Show
  2. Maureen Seaton
  3. p. 119
  4. DOI: https://doi.org/10.1353/mis.2010.0062
  5. restricted access
  1. When I Was Infertile
  2. Maureen Seaton
  3. p. 120
  4. DOI: https://doi.org/10.1353/mis.2010.0065
  5. restricted access
  1. Metastasis
  2. Maureen Seaton
  3. p. 121
  4. DOI: https://doi.org/10.1353/mis.2010.0068
  5. restricted access
  1. Helplessly Hetero
  2. Maureen Seaton
  3. pp. 122-123
  4. DOI: https://doi.org/10.1353/mis.2010.0055
  5. restricted access
  1. How I Came to Love You Like a Brother
  2. Tien-Yi Lee
  3. pp. 124-142
  4. DOI: https://doi.org/10.1353/mis.2010.0039
  5. restricted access
  1. First Meeting
  2. R. T. Smith
  3. pp. 144-149
  4. DOI: https://doi.org/10.1353/mis.2010.0046
  5. restricted access
  1. Bard of the Bottle
  2. Michael White
  3. pp. 150-167
  4. DOI: https://doi.org/10.1353/mis.2010.0049
  5. restricted access
  1. Into History: A New Terrain of Women's Poetry
  2. Jacqueline Kolosov
  3. pp. 169-184
  4. DOI: https://doi.org/10.1353/mis.2010.0035
  5. restricted access