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In this Issue

Table of Contents

  1. Agonists
  2. Speer Morgan
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/mis.0.0005
  5. restricted access
  1. Images
  2. pp. 7-188
  3. DOI: https://doi.org/10.1353/mis.0.0002
  4. restricted access
  1. Bearskin
  2. James A. McLaughlin
  3. pp. 8-51
  4. DOI: https://doi.org/10.1353/mis.0.0007
  5. restricted access
  1. Meet the Author
  2. p. 51
  3. DOI: https://doi.org/10.1353/mis.0.0012
  4. restricted access
  1. A Postcard from Cucamonga
  2. Scott Coffel
  3. p. 56
  4. DOI: https://doi.org/10.1353/mis.0.0017
  5. restricted access
  1. The Expulsion of the Triumphant Beast
  2. Scott Coffel
  3. pp. 57-58
  4. DOI: https://doi.org/10.1353/mis.0.0020
  5. restricted access
  1. Willie Jones
  2. Scott Coffel
  3. p. 59
  4. DOI: https://doi.org/10.1353/mis.0.0023
  5. restricted access
  1. My Liberation from Vanity
  2. Scott Coffel
  3. p. 60
  4. DOI: https://doi.org/10.1353/mis.0.0025
  5. restricted access
  1. The Sway of One Ocean
  2. Scott Coffel
  3. p. 61
  4. DOI: https://doi.org/10.1353/mis.0.0027
  5. restricted access
  1. Ivy: A Love Story
  2. Mathew Chacko
  3. pp. 62-87
  4. DOI: https://doi.org/10.1353/mis.0.0011
  5. restricted access
  1. Lessons in Amateur Stalking
  2. John J. Stazinski
  3. pp. 88-102
  4. DOI: https://doi.org/10.1353/mis.0.0001
  5. restricted access
  1. Why Some Girls Love Horses, and: Possibilities in Love, and: Yes, and: Closer
  2. Paisley Rekdal
  3. pp. 103-114
  4. DOI: https://doi.org/10.1353/mis.0.0003
  5. restricted access
  1. Why Some Girls Love Horses
  2. Paisley Rekdal
  3. pp. 104-105
  4. DOI: https://doi.org/10.1353/mis.0.0014
  5. restricted access
  1. Possibilities in Love
  2. Paisley Rekdal
  3. pp. 106-108
  4. DOI: https://doi.org/10.1353/mis.0.0016
  5. restricted access
  1. Yes
  2. Paisley Rekdal
  3. pp. 109-111
  4. DOI: https://doi.org/10.1353/mis.0.0019
  5. restricted access
  1. Closer
  2. Paisley Rekdal
  3. pp. 112-114
  4. DOI: https://doi.org/10.1353/mis.0.0022
  5. restricted access
  1. A Conversation with Stuart Dybek
  2. Matt Pearce
  3. pp. 116-132
  4. DOI: https://doi.org/10.1353/mis.0.0004
  5. restricted access
  1. Goat, and: Baltimore, and: Grief, and: Greater Winter, and: My Iberia
  2. Rebekah Remington
  3. pp. 133-138
  4. DOI: https://doi.org/10.1353/mis.0.0006
  5. restricted access
  1. Goat
  2. Rebekah Remington
  3. p. 134
  4. DOI: https://doi.org/10.1353/mis.0.0018
  5. restricted access
  1. Baltimore
  2. Rebekah Remington
  3. p. 135
  4. DOI: https://doi.org/10.1353/mis.0.0021
  5. restricted access
  1. Grief
  2. Rebekah Remington
  3. p. 136
  4. DOI: https://doi.org/10.1353/mis.0.0024
  5. restricted access
  1. Greater Winter
  2. Rebekah Remington
  3. p. 137
  4. DOI: https://doi.org/10.1353/mis.0.0026
  5. restricted access
  1. My Iberia
  2. Rebekah Remington
  3. p. 138
  4. DOI: https://doi.org/10.1353/mis.0.0028
  5. restricted access
  1. Hydrophobia
  2. David McGlynn
  3. pp. 140-160
  4. DOI: https://doi.org/10.1353/mis.0.0008
  5. restricted access
  1. Norman Bel Geddes: A Modernist da Vinci
  2. Kris Somerville, Speer Morgan
  3. pp. 161-172
  4. DOI: https://doi.org/10.1353/mis.0.0010
  5. restricted access
  1. Agonists of the Contemporary Memoir
  2. Michael Cohen
  3. pp. 174-187
  4. DOI: https://doi.org/10.1353/mis.0.0000
  5. restricted access