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Table of Contents

  1. The Masque and the Matrix: Alice Egerton, Richard Napier, and Suffocation of the Mother
  2. Boyd Brogan
  3. pp. 3-52
  4. DOI: https://doi.org/10.1353/mlt.2014.0004
  5. restricted access
  1. “His Footstep Trace”: The Natural Theology of Paradise Lost
  2. Katherine Calloway
  3. pp. 53-85
  4. DOI: https://doi.org/10.1353/mlt.2014.0006
  5. restricted access
  1. Milton’s Tended Garden and the Georgic Fall
  2. Seth Lobis
  3. pp. 89-111
  4. DOI: https://doi.org/10.1353/mlt.2014.0008
  5. restricted access
  1. Milton’s Poetics of Supplication
  2. Leah Whittington
  3. pp. 113-145
  4. DOI: https://doi.org/10.1353/mlt.2014.0009
  5. restricted access
  1. Striking a Miltonic Pose: William Jackson’s Lycidas and National Musical Identity
  2. John Luke Rodrigue
  3. pp. 147-174
  4. DOI: https://doi.org/10.1353/mlt.2014.0000
  5. restricted access
  1. Satan’s Pardon: The Forms of Judicial Mercy in Paradise Lost
  2. Alison A. Chapman
  3. pp. 177-206
  4. DOI: https://doi.org/10.1353/mlt.2014.0001
  5. restricted access
  1. Foreign Policy and the Feast Day: Milton’s Poetic Nativity
  2. Andrea Walkden
  3. pp. 207-235
  4. DOI: https://doi.org/10.1353/mlt.2014.0003
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  1. “On the New Forcers of Conscience” and Milton’s Erastianism
  2. Michael Komorowski
  3. pp. 237-268
  4. DOI: https://doi.org/10.1353/mlt.2014.0005
  5. restricted access
  1. Index
  3. pp. 269-276
  4. DOI: https://doi.org/10.1353/mlt.2014.0007
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  1. Preface
  2. Laura L. Knoppers
  3. pp. vii-xi
  4. DOI: https://doi.org/10.1353/mlt.2014.0002
  5. restricted access

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