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Table of Contents

  1. Loud
  2. Elizabeth Denton
  3. pp. 179-181
  4. DOI: https://doi.org/10.1353/mar.2015.0043
  5. restricted access
  1. We Called Her Uteri
  2. Amy Collier
  3. pp. 182-193
  4. DOI: https://doi.org/10.1353/mar.2015.0047
  5. restricted access
  1. Spiritual Evaluation, and: Grief
  2. Taije Silverman
  3. pp. 194-197
  4. DOI: https://doi.org/10.1353/mar.2015.0051
  5. restricted access
  1. The Mother Liquor
  2. René Char, Nancy Naomi Carlson
  3. pp. 198-200
  4. DOI: https://doi.org/10.1353/mar.2015.0055
  5. restricted access
  1. Food Work
  2. Siobhan Phillips
  3. pp. 201-217
  4. DOI: https://doi.org/10.1353/mar.2015.0033
  5. restricted access
  1. Milk
  2. Zaher Omareen, Alice Guthrie
  3. pp. 218-221
  4. DOI: https://doi.org/10.1353/mar.2015.0037
  5. restricted access
  1. Time Merchants
  2. Daniele Del Giudice, Elizabeth Harris, Louise Rozier
  3. pp. 222-234
  4. DOI: https://doi.org/10.1353/mar.2015.0041
  5. restricted access
  1. Walk
  2. Tim Seibles
  3. pp. 235-240
  4. DOI: https://doi.org/10.1353/mar.2015.0045
  5. restricted access
  1. The Vermin
  2. Amir Ahmadi Arian
  3. pp. 241-248
  4. DOI: https://doi.org/10.1353/mar.2015.0049
  5. restricted access
  1. Clemente’s Overzealous Romp: Roberto Clemente and Baseball as Theater
  2. Martín Espada
  3. pp. 249-255
  4. DOI: https://doi.org/10.1353/mar.2015.0053
  5. restricted access
  1. Clearance
  2. Jason Mastaler
  3. pp. 256-262
  4. DOI: https://doi.org/10.1353/mar.2015.0031
  5. restricted access
  1. Lashing the Body from the Bones
  2. Lee Sharkey
  3. pp. 263-264
  4. DOI: https://doi.org/10.1353/mar.2015.0035
  5. restricted access
  1. You Who Read Me With Passion Now Must Forever Be My Friends
  2. Dorothy Iannone
  3. pp. 265-276
  4. DOI: https://doi.org/10.1353/mar.2015.0040
  5. restricted access
  1. On Dorothy Iannone
  2. Trinie Dalton
  3. pp. 277-278
  4. DOI: https://doi.org/10.1353/mar.2015.0044
  5. restricted access
  1. The Resurrected Body
  2. Nicholas Samaras
  3. p. 279
  4. DOI: https://doi.org/10.1353/mar.2015.0048
  5. restricted access
  1. When Coleoptera, and: When Backlit
  2. Lisa Furmanski
  3. pp. 280-281
  4. DOI: https://doi.org/10.1353/mar.2015.0052
  5. restricted access
  1. “The Space Between”: Rediscovering the Folly Cove Designers
  2. Jennifer Scanlon
  3. pp. 282-301
  4. DOI: https://doi.org/10.1353/mar.2015.0056
  5. restricted access
  1. Your Brother Will Be Born in the Spring
  2. Nick Narbutas
  3. p. 302
  4. DOI: https://doi.org/10.1353/mar.2015.0034
  5. restricted access
  1. How to Cope with Risk
  2. Gary L. McDowell
  3. pp. 303-306
  4. DOI: https://doi.org/10.1353/mar.2015.0038
  5. restricted access
  1. What to Do When You Are Alone in It
  2. Christa Romanosky
  3. pp. 307-317
  4. DOI: https://doi.org/10.1353/mar.2015.0042
  5. restricted access
  1. Why Elizabeth Goes to Suzie
  2. Jari Chevalier
  3. p. 318
  4. DOI: https://doi.org/10.1353/mar.2015.0046
  5. restricted access
  1. Advice
  2. Kristin Latour
  3. p. 319
  4. DOI: https://doi.org/10.1353/mar.2015.0050
  5. restricted access
  1. A Burglary on Quarry Lane
  2. Ruvanee Pietersz Vilhauer
  3. pp. 320-335
  4. DOI: https://doi.org/10.1353/mar.2015.0054
  5. restricted access
  1. There Was No Transition, Only This
  2. Edward Mayes
  3. p. 336
  4. DOI: https://doi.org/10.1353/mar.2015.0032
  5. restricted access
  1. Introduction
  2. Jim Hicks
  3. pp. 176-177
  4. DOI: https://doi.org/10.1353/mar.2015.0039
  5. restricted access
  1. Notes on Contributors
  3. pp. 337-339
  4. DOI: https://doi.org/10.1353/mar.2015.0036
  5. restricted access