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Table of Contents

  1. Reading The Operation: Television, Realism, and the Possession of Medical Knowledge
  2. Catherine Francis Belling
  3. pp. 1-23
  4. DOI: https://doi.org/10.1353/lm.1998.0010
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  1. Visual Knowledge in Medicine and Popular Film
  2. T. Hugh Crawford
  3. pp. 24-44
  4. DOI: https://doi.org/10.1353/lm.1998.0002
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  1. "Fixing" Katie and Eilish: Medical Documentaries and the Subjection of Conjoined Twins
  2. David L. Clark, Catherine Myser
  3. pp. 45-67
  4. DOI: https://doi.org/10.1353/lm.1998.0004
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  1. From Exploitation to Self-Reflection: Representing Persons with Psychiatric Disabilities in Documentary Film
  2. Peter Stastny
  3. pp. 68-90
  4. DOI: https://doi.org/10.1353/lm.1998.0008
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  1. Repellent Subjects: Hollywood Censorship and Surgical Images in the 1930s
  2. Susan E. Lederer
  3. pp. 91-113
  4. DOI: https://doi.org/10.1353/lm.1998.0005
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  1. The Temple of Healing: Reflections from a Physician at the Movies
  2. Peter E. Dans
  3. pp. 114-125
  4. DOI: https://doi.org/10.1353/lm.1998.0003
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  1. Atomic Bomb Cinema: Illness, Suffering, and the Apocalyptic Narrative
  2. Jerome F. Shapiro
  3. pp. 126-148
  4. DOI: https://doi.org/10.1353/lm.1998.0007
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  1. Ebola Goes Pop: The Filovirus from Literature into Film
  2. Iliana Alexandra Semmler
  3. pp. 149-174
  4. DOI: https://doi.org/10.1353/lm.1998.0006
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  1. Editor's Column
  2. Joanne Trautmann Banks
  3. pp. vii-xii
  4. DOI: https://doi.org/10.1353/lm.1998.0009
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  1. Contributors
  3. pp. 175-176
  4. DOI: https://doi.org/10.1353/lm.1998.0001
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