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The Lion and the Unicorn

Volume 33, Number 3, September 2009

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E-ISSN: 1080-6563 Print ISSN: 0147-2593

Table of Contents

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Editors’ Introduction
pp. v-vii
Rewriting “Little Red Riding Hood”: Victorian Fairy Tales and Mass-Visual Culture
pp. 259-281
The Cinderella-Makers: Postwar Adolescent Girl Fiction as Commodity Tales
pp. 282-299
Stamping the Coin of Character: Elsie Dinsmore and the Power of Christian Wealth
pp. 300-323
Magritte and Cultural Capital: The Surreal World of Anthony Browne
pp. 324-348
The Critical Reader in Children’s Metafiction
pp. 349-361
Tove Jansson and the Crossover Continuum
pp. 362-375
Lively Rigor: The 2009 Lion and the Unicorn Award for Excellence in North American Poetry
pp. 376-396

Book Reviews

Crossover Fiction: Global and Historical Perspectives, and: The Crossover Novel: Contemporary Children’s Fiction and Its Adult Readership (review)
pp. 397-401
Poetry’s Playground: The Culture of Contemporary American Children’s Poetry (review)
pp. 401-405
The Modern Age: Turn-of-the-Century American Culture and the Invention of Adolescence (review)
pp. 405-409
The Idea of Nature in Disney Animation (review)
pp. 409-415
Behind the Looking Glass (review)
pp. 415-418
Nancy Drew and Her Sister Sleuths: Essays on the Fiction of Girl Detectives (review)
pp. 418-422
Red Riding Hood for All Ages: A Fairy-Tale Icon in Cross-Cultural Contexts (review)
pp. 422-425

© 2009 Project MUSE®. Produced by The Johns Hopkins University Press in collaboration with The Milton S. Eisenhower Library.