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Volume 16, Number 1, March 2014

Table of Contents

From the Mast-Head

pp. 1-3 | DOI: 10.1353/lvn.2014.0008


A Double Prelude on Melville’s Moby-Dick: “Etymology” & “Extracts”

pp. 5-21 | DOI: 10.1353/lvn.2014.0011

The Florence

pp. 22-32 | DOI: 10.1353/lvn.2014.0014


Two Poems for the All-Nighters at the Moby-Dick Marathon

p. 34 | DOI: 10.1353/lvn.2014.0000


Melville and the Idea of Blackness: Race and Imperialism in Nineteenth-Century America by Christopher Freeburg (review)

pp. 36-39 | DOI: 10.1353/lvn.2014.0003

Melville and the Wall of the Modern Age ed. by Arimichi Makino (review)

pp. 40-43 | DOI: 10.1353/lvn.2014.0005

Whipscars and Tattoos: The Last of the Mohicans, Moby-Dick, and the Maori by Geoffrey Sanborn (review)

pp. 44-49 | DOI: 10.1353/lvn.2014.0007

Extracts: Special Issue

All Astir

pp. 51-58 | DOI: 10.1353/lvn.2014.0010

Keynote Addresses

How Billy Budd Grew Black and Beautiful: Versions of Melville in the Digital Age

pp. 60-86 | DOI: 10.1353/lvn.2014.0013

“That towering bulge of pure white”: Whitman, Melville, the Capitol Dome, and Black America

pp. 87-120 | DOI: 10.1353/lvn.2014.0016

Walt Whitman and Civil War Washington

pp. 121-134 | DOI: 10.1353/lvn.2014.0002

Melville and the Worlds of Civil War Poetry

pp. 135-152 | DOI: 10.1353/lvn.2014.0004

Conference Reports

Melville and Whitman, Digitally Mediated

pp. 154-156 | DOI: 10.1353/lvn.2014.0006

Melvilleans and Whitmanians in Washington, DC

pp. 157-159 | DOI: 10.1353/lvn.2014.0009

Battle-Pieces and Aspects of the Conference on Melville and Whitman in Washington

pp. 160-163 | DOI: 10.1353/lvn.2014.0012

Poetry in Motion

pp. 164-167 | DOI: 10.1353/lvn.2014.0015

DC Photo Gallery

pp. 168-171 | DOI: 10.1353/lvn.2014.0001

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