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  • Leonardo Reviews

Leonardo Reviews is the work of an international panel of scholars and professionals from a wide range of disciplines who review books, exhibitions, CD-ROMs, web sites and conferences. Collectively they represent an intellectual commitment to engaging in the emergent debates and manifestations that are the consequences of the convergence of the arts, sciences and technology. Reviews are posted monthly on the Leonardo Reviews web site <leonardo.info/ldr.html>. A selection of reviews is published in print in Leonardo. Publishers and authors interested in having their print or electronic publications considered for review by the Leonardo Reviews panel should send a review copy to Leonardo Reviews, Michael Punt, School of Computing Communications and Electronics, Plymouth University, Drake Circus, Plymouth PL4 8AA, U.K. Readers interested in becoming a member of the Leonardo Reviews panel should contact <ldr@leonardo.info>.

Recent reviews on books relating to and CDs and performances of music and sound art, available at <leonardo.info/ldr.html>, include:

BARBER, JOHN F. Review of Radio: Essays in Bad Reception by John Mowitt, Leonardo 46, No. 1 (2013).
BARBER, JOHN F. Review of The Oxford Handbook of Sound Studies, edited by Trevor Pinch and Karin Bijsterveld, Leonardo 46, No. 3 (2013).
BARBER, JOHN F. Review of The Beatles and McLuhan: Understanding the Electric Age by Thomas MacFarlane.
BARBER, JOHN F. Review of In the Field: The Art of Field Recording edited by Cathy Land and Angus Carlyle.
GRAUBARD, ALLAN. Review of Looking for Bruce Conner by Kevin Hatch, Leonardo 46, No. 1 (2013).
IONE, AMY. Review of Pairing of Polarities: The Life and Art of Sonya Rapoport by Terri Cohn, Leonardo 46, No. 1 (2013).
KADE, RICHARD. Review of Music 109: Notes on Experimental Music by Alvin Lucier.
KADE, RICHARD. Review of Cameron Live! by Cameron Carpenter et al.
MOSHER, MIKE. Review of MP3: The Meaning of a Format by Jonathan Sterne.
MOSHER, MIKE. Review of Music, Sound and Technology in America edited by Timothy D. Taylor, Mark Katz and Tony Grajeda. [End Page 26]
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