Leonardo Reviews On-Line

October 2012

Boyamba Belgique: Or Why a King Should Not Lose His Sword, directed by Dries Engels and Bart Van Peel; Berlin 1885: The Division of Africa by Joël Calmettes. Reviewed by Mike Mosher.

The Camera as Historian: Amateur Photographers and Historical Imagination, 1885-1918 by Elizabeth Edwards. Reviewed by Jan Baetens.

Cinema's Alchemist: The Films of Péter Forgács, edited by Bill Nichols and Michael Renov. Reviewed by Nico de Klerk.

Hello Avatar: Rise of the Networked Generation by Beth Coleman. Reviewed by Ornella Corazza.

Victorian Culture and Classical Antiquity: Art, Opera, Fiction, and the Proclamation of Modernity by Simon Goldhill. Reviewed by Jennifer Ferng.

September 2012

Hide and Seek: Camouflage, Photography, and the Media of Reconnaissance by Hanna Rose Shell. Reviewed by Brian Reffin Smith.

Hiroshi Sugimoto: Memories of Origin, directed by Yuko Nakamura. Reviewed by Giovanna L. Costantini.

Lines of Control: Exhibition at Johnson Museum, curated by Iftikhar Dadi and Hammad Nassar; Lines of Control: Partition as a Productive Space, exhibition catalogue, edited by Iftikhar Dadi and Hammad Nassar. Reviewed by Aparna Sharma.

The Oxford Handbook of Sound Studies, edited by Trevor Pinch and Karin Bijsterveld. Reviewed by John F. Barber.

The Universe in Zero Words: The Story of Mathematics as Told through Equations by Dana MacKenzie. Reviewed by Phil Dyke.

Virtuality and the Art of Exhibition: Curatorial Design for the Multimedial Museum by Vince Dziekan. Reviewed by Dene Grigar.