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  • Tracing Home Art Gallery Jury

Annick Bureaud

Annick Bureaud is an independent art critic, curator, event organizer, researcher, and teacher of arts and technosciences. She is the director of Leonardo/Olats (www.olats.org), the European sister organization to Leonardo/Isast (www.leonardo.info), and is a contributor to the French contemporary art magazine Art Press. She has organized many symposia, conferences, and workshops, including Artmedia VIII: From Aesthetics of Communication to Net Art, Paris, 2002; and Visibility – Legibility of Space Art. Art and Zero Gravity: The Experience of Parabolic Flight, Paris, 2003. In 2009 she co-curated the exhibition (Un)Inhabitable? Art of Extreme Environments, Festival @rt Outsiders, MEP/European House of Photography, Paris. Her current research focuses on art and extreme environments, art and smart textiles, and art and non-humans.

Michael Hohl

Michael Hohl graduated in 2000 in visual communication/digital media design from the Universität der Künste Berlin. During his studies he also worked as a designer and consultant for several Berlin-based media companies, such as ImStall, Pixelpark, and Cityscope. In 2006 he completed an interdisciplinary practicebased PhD in fine art and computer science at Sheffield Hallam University, United Kingdom. His research interests lie in telematics, data visualization, and ambient displays. He has published in journals for the arts, design, and the computer sciences. At present he is a research fellow in design at the University of Huddersfield, UK, where he teaches information systems and also advises staff on art and design research methods and methodologies. In March 2011 he organized the ADS-VIS2011: Making Visible the Invisible: Art, Design and Science in Data Visualisation conference.

Frank Dufour

Frank Dufour has been a sound designer and hypermedia designer for over 25 years. He holds a bachelor’s degree in film, a master’s degree in hypermedia design, and a PhD in digital audiovisual. His current research is in psycho-acoustics on the development of a system of phenomenological/ecological units to describe the perception of changes and movements in time-based arts. A recent outcome of this research is the exploration of Acoustic Shadows: the auditory perception of the movements of silent objects in noisy environments. He is currently teaching undergraduate and graduate classes in sound design and sound art in the Arts and Technology (ATEC) program in the School of Arts and Humanities at the University of Texas at Dallas, and serves as an advisor for the PhD students in Arts and Technology.

Victoria Szabo

Victoria Szabo is an assistant research professor in visual studies and new media in the Department of Art, Art History & Visual Studies at Duke University. She is also the program director for information science and information studies, and teaches in the new MFA program in experimental and documentary arts. Her work focuses on digital media authorship in scholarly contexts, with special attention to virtual worlds, geotemporal platforms, and immersive narrative environments. She was the chair of the Information Aesthetics Showcase at SIGGRAPH 2009. She holds a PhD in English, with a certificate in gender and women’s studies from the University of Rochester. [End Page 346]


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Tomorrow Will Get Better.

© 2007 Matthew Cox. [End Page 348]

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