Color Plates
- Color Plate
Color Plate A
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No. 1. Dan Sandin, frames from the live performance of Spiral 3, 1976.
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No. 2. Dan Sandin, a frame from the animation A Volume of Julia Sets.
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No. 3. Dan Sandin, a frame from the animation A Study of 4D Julia Sets, Iterations of Z = Z∧2 + K in the Quaternions.
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Color Plate B
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No. 1. Cathy Murphy (chemistry), Sarah Baxter (engineering), Edie Goldsmith (medicine), Chris Orendorff (chemistry) and Chris Robinson (art), all of the University of South Carolina, composite, nanorods in collagen (from original dark field microscope image), 20 X 26 in, 2005. This composite shows some examples of reasonable enhancement of microscopy documentation.
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No. 2. Chris Robinson, Eigler's Eyes, computer drawing/HP 5500 plot, 40 X 52 in, 2006. Don Eigler of IBM produced some of the most distinctive and enduring images in nanoscience. This image uses his Quantum Corral microscopy documentation as a stepping-off point.
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Color Plate C
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Mel Alexenberg, Aesthetic Peace in the Middle East, acrylic paints on digital image mounted on canvas, 160 X 290 cm, 1986. A digitized Rembrandt angel emerges with a message of peace from a map of North Africa and the Middle East.
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Color Plate D
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No. 1. Kai-hung Fung, Metamorphosis, 2004. A color digital image of volume-rendered 3D CT of a human body. The armpit is on the left. The use of a full spectrum of color and the ability to change transparency add a new dimension to this high-resolution 3D CT image, signifying a metamorphosis from conventional radiological images.
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No. 2. Kai-hung Fung, Worm's-Eye View of the Colon, 2005. (© Kai-hung Fung) Color digital image of volume-rendered 3D CT of the lumen of the colon in "virtual endoscopy" view. The rainbow technique is used for rendering.
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Color Plate E
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Céline Guesdon, Goût(t)e, from the Ondine installation, digital photograph on aluminum, 26.5 X 35.5 in, 2004.
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Color Plate F
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Seigow Matsuoka and Naoko Tosa, ZENetic Computer, at SIGGRAPH 2004: Emerging Technologies.
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Color Plate G
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A. Laurie Palmer, three configurations of The Helium Stockpile, wood, metal hinges, dimensions variable, 2004.
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Color Plate H
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Gustav Deutsch and Franz Berzl, Camera Obscura Aegina, 2003. Top left: drawing showing phases of construction for the camera. Top right: drawing of the final structure. Bottom: the completed camera obscura in situ on the island of Aegina, Greece. See Martha Blassnigg's review of the Aegina Academy in Leonardo Reviews, p. 257.
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