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In this Issue

Table of Contents

  1. The Electroacoustic Music Studies Network
  2. Marc Battier
  3. p. 418
  4. restricted access
  1. Computer Graphic\-\-Aesthetic Experiments between Two Cultures
  2. Christoph Klutsch
  3. pp. 421-425
  4. restricted access
  1. The Teleporter Zone: Interactive Media Arts in the Healthcare Context
  2. Paul Sermon
  3. pp. 426-431
  4. restricted access
  1. Meaning without Borders: likn and Distributed Knowledge
  2. Ben Syverson
  3. pp. 433-438
  4. restricted access
  1. O-24 Licht: A Project Combining Art and Applied Research
  2. Angelo Stagno, Andrea van der Straeten
  3. pp. 440-441
  4. restricted access
  1. Between Reason and Sensation: Antipodean Artists and Climate Change
  2. Janine Randerson
  3. pp. 442-448
  4. restricted access
  1. Color Plates
  2. pp. 449-456
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  1. The Singing Shamail: A Computer Sound Installation
  2. Bulat M. Galeyev
  3. p. 458
  4. restricted access
  1. Peter Donebauer, Richard Monkhouse and the Development of the EMS Spectron and the Videokalos Image Processor
  2. Chris Meigh-Andrews
  3. pp. 463-467
  4. restricted access
  1. Re-Writing the History of Media Art: From Personal Cinema to Artistic Collaboration
  2. Ryszard W. Kluszczyński
  3. pp. 469-474
  4. restricted access
  1. Toward Other Epistemologies of Interface Culture: Dependent Origination, Tantra and Relational Being in an Age of Digital Reproduction
  2. Ajaykumar
  3. pp. 475-481
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  1. Certain of Heisenberg's Arts
  2. Robert Scott Root-Bernstein
  3. p. 483
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  1. Looking Beneath the Surface: The Radial Spread of Ink in Water
  2. Pery Burge
  3. pp. 484-488
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  1. Governing Artistic Innovation: An Interface among Art, Science and Industry
  2. Jean-Paul Fourmentraux
  3. pp. 489-492
  4. restricted access
  1. Art and Math, Forever
  2. Michele Emmer
  3. p. 493
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  1. Scalebound or Scaling Shapes: A Useful Distinction in the Visual Arts and in the Natural Sciences
  2. Benoit B. Mandelbrot
  3. pp. 494-496
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  1. The Jasons: The Secret History of Science's Postwar Elite (review)
  2. John F. Barber
  3. pp. 497-498
  4. restricted access
  1. The Sculpture of Ruth Asawa: Contours in the Air (review)
  2. Amy Ione
  3. pp. 498-499
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  1. The King of Infinite Space: Donald Coxeter and the Magic of Geometry (review)
  2. Stefaan van Ryssen
  3. pp. 499-500
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  1. Cartographies of Tsardom: The Land and its Meanings in Seventeenth-Century Russia (review)
  2. Stefaan van Ryssen
  3. pp. 500-501
  4. restricted access
  1. Technology Matters: Questions to Live With (review)
  2. Michael Punt
  3. p. 501
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  1. Seeing High and Low: Representing Social Conflict in American Visual Culture (review)
  2. Jan Baetens
  3. p. 502
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  1. Organized Networks: Media Theory, Creative Labour, New Institutions (review)
  2. Geoff Cox
  3. pp. 502-503
  4. restricted access
  1. Ylem Journal: Artists Using Science and Technology (review)
  2. Rob Harle
  3. pp. 503-504
  4. restricted access
  1. RES Magazine (review)
  2. Michael R. Mosher
  3. p. 504
  4. restricted access
  1. The Angelmakers (review)
  2. Kathryn Adams
  3. pp. 504-505
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  1. Playing the News (review)
  2. Amy Ione
  3. pp. 505-506
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  1. Hats of Jerusalem (review)
  2. Jonathan Leslie Zilberg
  3. pp. 506-507
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  1. Leonardo Reviews On-line
  2. pp. 507-508
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  1. Partial Reflections
  2. Andrew Johnston, Benjamin Marks
  3. pp. 510-511
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  1. Leonardo Network News
  2. p. 512
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  1. Special Section Introduction: Catching the History of the Media Arts
  2. Sean Cubitt
  3. pp. 460-461
  4. restricted access