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In this Issue

Table of Contents

  1. Renaming the Future
  2. Michael Punt
  3. pp. 1-2
  4. restricted access
  1. Pierre Restany (1930-2003): Philosopher of Art
  2. Susumu Shingu
  3. pp. 6-7
  4. restricted access
  1. Pierre Restany: A Man in Rhythm with His Time
  2. Jürgen Claus
  3. p. 7
  4. restricted access
  1. Expanding the Concept of Writing: Notes on Net Art, Digital Narrative and Viral Ethics
  2. Mark Amerika
  3. pp. 9-13
  4. restricted access
  1. Color Plates
  3. pp. 15-16
  4. restricted access
  1. Planet Earth in Contemporary Electronic Artworks
  2. Julien Knebusch
  3. pp. 18-24
  4. restricted access
  1. The Earth Music of Thambrabok Monastery
  2. Hans Ulrich, Phra Kaempfer, Sheila Pinkel
  3. pp. 25-30
  4. restricted access
  1. The Art and Science of Interstellar Message Composition
  2. Douglas A. Vakoch
  3. pp. 32-34
  4. restricted access
  1. The Process of Art in Interstellar Message Construction
  2. Richard Clar
  3. p. 35
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  1. Constants of Art and Nature: The Rainbow Project
  2. Steve Deihl
  3. pp. 35-36
  4. restricted access
  1. Sound as Intercultural Communication: A Meta-Analysis of Music with Implications for SETI
  2. Andrew Kaiser
  3. pp. 36-37
  4. restricted access
  1. A Science-and-Art Interstellar Message: The Self-Similar Sierpinski Gasket
  2. Lui Lam
  3. pp. 37-38
  4. restricted access
  1. Large-Size Message Construction for ETI: Music in Lingua Cosmica
  2. Alexander Ollongren
  3. pp. 38-39
  4. restricted access
  1. Are We Alone? The Search for Extraterrestrial Civilizations
  2. Dan Werthimer, Mary Kate Morris
  3. p. 39
  4. restricted access
  1. Heart Rate Sonification: A New Approach to Medical Diagnosis
  2. Mark Ballora, Bruce Pennycook, Plamen C. Ivanov, Leon Glass, Ary Louis Goldberger
  3. pp. 41-46
  4. restricted access
  1. Art, Fact and Artifact Production: Design Research and Multidisciplinary Collaboration
  2. Lily Diaz-Kommonen
  3. p. 48
  4. restricted access
  1. The Digital Art of Marbled Paper
  2. B. Tevfik Akgun
  3. pp. 49-52
  4. restricted access
  1. Multifractal Fingerprints in the Visual Arts
  2. J. R. Mureika, Gerald C. Cupchik, C. C. Dyer
  3. pp. 53-56
  4. restricted access
  1. A Symphony of Sensations in the Spectator: Le Corbusier's Poeme electronique and the Historicization of New Media Arts
  2. Katie Mondloch
  3. pp. 57-61
  4. restricted access
  1. A Universal Grammar for Visual Composition?
  2. Peter D. Stebbing
  3. pp. 63-70
  4. restricted access
  1. Leonardo On-Line Bibliographies
  3. p. 71
  4. restricted access
  1. Einstein Picasso: Space, Time, and the Beauty that Causes Havoc, and: Inner Vision: An Exploration of Art and the Brain (review)
  2. Robert Pepperell
  3. pp. 73-75
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  1. Other American Voices (review)
  2. Amy Ione
  3. pp. 75-76
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  1. The Ambassadors' Secret: Holbein and the World of the Renaissance (review)
  2. David Topper
  3. pp. 76-77
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  1. Sonic Acts: The Art of Programming (review)
  2. Stefaan van Ryssen
  3. p. 77
  4. restricted access
  1. Bodies in Technology (review)
  2. Maureen Nappi
  3. pp. 77-78
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  1. Buddhism and Science: Breaking New Ground (review)
  2. Aparna Sharma
  3. pp. 78-80
  4. restricted access
  1. Making Sense of Taste: Food and Philosophy (review)
  2. Dene Grigar
  3. pp. 79-80
  4. restricted access
  1. Sonic Acts: The Art of Programming (review)
  2. Stefaan van Ryssen
  3. pp. 80-81
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  1. Where the Action Is: Foundations of Embodied Interaction (review)
  2. Diane Gromala
  3. p. 81
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  1. Seeing/Hearing/Speaking (review)
  2. Michael R. Mosher
  3. pp. 81-82
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  1. Valie Export: Mediale Anagramme (review)
  2. Yvonne Spielmann
  3. pp. 82-83
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  1. Pierre Bourdieu: Sociology Is a Martial Art (review)
  2. Roy R. Behrens
  3. p. 83
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  1. BitArt (review)
  2. Luisa Paraguai Donati
  3. pp. 83-84
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  1. Leonardo Network News
  3. pp. 88-89
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  1. Viva Vivo! Living Art Is Dead
  2. Adam Zaretsky
  3. pp. 90-92
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  1. Dedication to the Forest : Composition for the Sounds of Forest, Cluster of Trombones and Recorded Tape
  2. Danius Valionis
  3. p. 47
  4. restricted access
  1. Copyright for Collage Artists, and: Dover Publications (review)
  2. Roy R. Behrens
  3. p. 84
  4. restricted access