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In this Issue

Table of Contents

  1. The Stone Age of the Digital Arts
  2. Roger F. Malina
  3. pp. 463-465
  4. restricted access
  1. Director's Statement: A Moment in Time
  2. Bruce Wands
  3. pp. 467-469
  4. restricted access
  1. Renderings of Digital Art
  2. Christiane Paul
  3. pp. 471-474
  4. restricted access
  1. Christiane Paul's Selections
  2. Christiane Paul
  3. p. 475
  4. restricted access
  1. netomat TM
  2. Maciej Wisniewski
  3. p. 476
  4. restricted access
  1. Apartment
  2. Martin Wattenberg, Marek Walczak
  3. p. 477
  4. restricted access
  1. Glasbead
  2. John Klima
  3. p. 478
  4. restricted access
  1. 0100101110101101.org
  2. 01.org
  3. p. 479
  4. restricted access
  1. Carnivore
  2. Alex Galloway, RSG
  3. p. 480
  4. restricted access
  1. A-Volve
  2. Christa Sommerer, Laurent Mignonneau
  3. p. 481
  4. restricted access
  1. Genesis
  2. Eduardo Kac
  3. p. 482
  4. restricted access
  1. Timetable
  2. Perry Hoberman
  3. p. 483
  4. restricted access
  1. Pockets Full of Memories
  2. George Legrady
  3. p. 484
  4. restricted access
  1. Giver of Names
  2. David Rokeby
  3. p. 484
  4. restricted access
  1. Ten Myths of Internet Art
  2. Jon Ippolito
  3. pp. 485-487
  4. restricted access
  1. Jon Ippolito's Selections
  2. Jon Ippolito
  3. p. 488
  4. restricted access
  1. Random Access
  2. Nam June Paik
  3. p. 489
  4. restricted access
  1. www.jodi.org
  2. JODI
  3. p. 490
  4. restricted access
  1. I/O/D 4: The Web Stalker
  2. I/O/D
  3. p. 491
  4. restricted access
  1. Every Icon
  2. John F. Simon
  3. p. 492
  4. restricted access
  1. RIOT
  2. Mark Napier
  3. p. 493
  4. restricted access
  1. Toywar
  2. Etoy.Corporation
  3. p. 494
  4. restricted access
  1. Gallery of CSS Descramblers
  2. David S. Touretzky
  3. p. 495
  4. restricted access
  1. They Rule
  2. Josh On
  3. p. 496
  4. restricted access
  1. Ephemere
  2. Char Davies
  3. p. 497
  4. restricted access
  1. Imaginary Landscapes
  2. John Cage
  3. p. 498
  4. restricted access
  1. Past, Present, and Future Tense
  2. Gregor Muir
  3. pp. 499-500
  4. restricted access
  1. Gregor Muir's Selections
  2. p. 501
  3. restricted access
  1. The World in 24 Hours
  2. Robert Adrian
  3. p. 502
  4. restricted access
  1. %Untitled Game
  2. JODI
  3. p. 503
  4. restricted access
  1. VinylVideo TM
  2. Gebhard Sengmuller
  3. p. 504
  4. restricted access
  1. Les Grands Ensembles
  2. Pierre Huyghe
  3. p. 505
  4. restricted access
  1. I/O/D 4: The Web Stalker
  2. I/O/D
  3. p. 506
  4. restricted access
  1. Will-N-Testament
  2. Olia Lialina
  3. p. 507
  4. restricted access
  1. Magnet TV
  2. Nam June Paik
  3. p. 507
  4. restricted access
  1. Microtime Sculptures
  2. Nicolas Schoffer
  3. p. 507
  4. restricted access
  1. Suicide Box
  2. Bureau of Inverse Technology
  3. p. 508
  4. restricted access
  1. Documenta Done
  2. Vuk Cosic
  3. p. 508
  4. restricted access
  1. Ten Dreams of Technology
  2. Steve Dietz
  3. pp. 509-513
  4. restricted access
  1. Steve Dietz's Selections
  2. Steve Dietz
  3. p. 514
  4. restricted access
  1. Osmose
  2. Char Davies
  3. p. 515
  4. restricted access
  1. Electronic Cafe
  2. Kit Galloway, Sherrie Rabinowitz
  3. p. 516
  4. restricted access
  1. A-Volve
  2. Christa Sommerer, Laurent Mignonneau
  3. p. 517
  4. restricted access
  1. Giver of Names
  2. David Rokeby
  3. p. 518
  4. restricted access
  1. life_sharing
  2. 01.org
  3. p. 519
  4. restricted access
  1. IO_dencies
  2. Knowbotic Research
  3. p. 520
  4. restricted access
  1. Lorna
  2. Lynn Hershman-Leeson
  3. pp. 521-52
  4. restricted access
  1. The File Room
  2. Muntadas
  3. p. 521
  4. restricted access
  1. Natural Selection
  2. Mongrel
  3. p. 522
  4. restricted access
  1. ada'web
  2. Benjamin Weil, Vivian Selbo, Andrea Scott
  3. p. 522
  4. restricted access
  1. Art in Digital Times: From Technology to Instrument
  2. Benjamin Weil
  3. pp. 523-526
  4. restricted access
  1. Benjamin Weil's Selections
  2. Benjamin Weil
  3. p. 527
  4. restricted access
  1. Distant Shoreline
  2. Anthony Discenza
  3. p. 528
  4. restricted access
  1. Carnivore
  2. Alex Galloway, RSG
  3. p. 529
  4. restricted access
  1. Lorna
  2. Lynn Hershman-Leeson
  3. p. 530
  4. restricted access
  1. TGarden
  2. Sponge and FoAM
  3. p. 531
  4. restricted access
  1. The Godlove Museum
  2. Entropy8Zuper!
  3. p. 532
  4. restricted access
  1. Wave Twisters
  2. Syd Garon, Eric Henry
  3. p. 533
  4. restricted access
  1. Video Quartet
  2. Christian Marclay
  3. p. 534
  4. restricted access
  1. Video Quartet
  2. Ikeda Ryoji
  3. p. 535
  4. restricted access
  1. Global String
  2. Atau Tanaka, Kasper T. Toeplitz
  3. p. 536
  4. restricted access
  1. Symphony #2 for Dot Matrix Printers
  2. User
  3. p. 537
  4. restricted access
  1. Selections for the Tenth New York Digital Salon
  2. Zentrum fur Kunst und Medientechnologie Karlsruhe
  3. p. 539
  4. restricted access
  1. Head Spaces
  2. Bernhard Leitner
  3. p. 540
  4. restricted access
  1. Surveillance
  2. Christopher Petit
  3. p. 541
  4. restricted access
  1. Poetry Machine
  2. David Link
  3. p. 542
  4. restricted access
  1. (dis)LOCATIONS
  2. Del Favero, Dennis, 1953-, Agnes Hegedus, Ian Howard, Susan Norrie, Jeffrey Shaw, Peter Weibel
  3. p. 543
  4. restricted access
  1. Absolut DJ
  2. DJ Spooky That Subliminal Kid
  3. p. 544
  4. restricted access
  1. Ovalprocess
  2. Oval
  3. p. 544
  4. restricted access
  1. Beyond Pages
  2. Masaki Fujihata
  3. p. 545
  4. restricted access
  1. Remote Control
  2. Shane Cooper
  3. p. 546
  4. restricted access
  1. ASCII History of Art for the Blind
  2. Vuk Cosic
  3. p. 547
  4. restricted access
  1. Hostag: The Bachar Tapes
  2. Walid Ra'ad
  3. p. 548
  4. restricted access
  1. Selections for the Tenth New York Digital Salon
  2. Yuko Hasegawa
  3. p. 549
  4. restricted access
  1. Piano-as image media
  2. Toshio Iwai
  3. p. 550
  4. restricted access
  1. Ever Is Over All
  2. Pipilotti Rist
  3. p. 551
  4. restricted access
  1. Orchisoid
  2. Masaki Fujihata, Yuji Dougane
  3. p. 552
  4. restricted access
  1. SYS*017.ReE.06/PiG-EqN\5*8
  2. Mathieu Briand
  3. p. 553
  4. restricted access
  1. Vectorial Elevation
  2. Rafael Lozano-Hemmer
  3. p. 554
  4. restricted access
  1. PostPet
  2. Hachiya Kazuhiko
  3. p. 555
  4. restricted access
  1. telefunken
  2. Carsten Nicolai
  3. p. 556
  4. restricted access
  1. Turbulent
  2. Shirin Neshat
  3. p. 557
  4. restricted access
  1. All Is Full of Love
  2. Chris Cunningham
  3. p. 558
  4. restricted access
  1. Video Quartet
  2. Ikeda Ryoji
  3. p. 558
  4. restricted access
  1. Music and Life
  2. Joel Chadabe
  3. pp. 559-560
  4. restricted access
  1. Music and Life
  2. Joel Chadabe
  3. p. 561
  4. restricted access
  1. Le Triangle d'Incertitude
  2. Cecile Le Prado
  3. p. 562
  4. restricted access
  1. Imaginary Landscapes
  2. John Cage
  3. p. 562
  4. restricted access
  1. Fugitives Voix
  2. Daniel Teruggi
  3. p. 562
  4. restricted access
  1. India Sound Journal
  2. Hildegard Westerkamp
  3. p. 562
  4. restricted access
  1. Two Women
  2. Trevor Wishart
  3. p. 562
  4. restricted access
  1. Sud
  2. Jean-Claude Risset
  3. p. 563
  4. restricted access
  1. Saturation Station
  2. DJ Spooky That Subliminal Kid
  3. p. 563
  4. restricted access
  1. 73 Poems
  2. La Barbara, Joan, 1947-, Kenneth Goldsmith
  3. p. 563
  4. restricted access
  1. Gestures
  2. Morton Subotnick
  3. p. 564
  4. restricted access
  1. Gestation
  2. Garth Paine
  3. p. 565
  4. restricted access
  1. Ten Key Texts on Digital Art: 1970-2000
  2. Lev Manovich
  3. pp. 567-569
  4. restricted access
  1. Lev Manovich's Selections
  2. Lev Manovich
  3. pp. 570-575
  4. restricted access
  1. Collaborative Curatorial Culmination
  2. Renee Schacht
  3. pp. 577-578
  4. restricted access
  1. The Antennae of the Race
  2. Nina Colosi
  3. pp. 579-580
  4. restricted access
  1. Exhibiting Artists
  2. p. 582
  3. restricted access
  1. Leonardo Network News
  2. pp. 583-586
  3. restricted access