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In this Issue

Table of Contents

  1. Can Ideas and Words Be Useful?
  2. Michele Emmer
  3. pp. 1-3
  4. restricted access
  1. SHIFT-CTRL
  2. Antoinette LaFarge, Robert Nideffer
  3. pp. 5-6
  4. restricted access
  1. The Intruder
  2. Natalie Bookchin
  3. p. 7
  4. restricted access
  1. The Freud-Lissitzky Navigator
  2. Lev Manovich, Norman M. Klein
  3. p. 8
  4. restricted access
  1. Summons to Surrender--Keyboard Castle
  2. Eddo Stern
  3. p. 9
  4. restricted access
  1. ® TMark
  2. ® TMark
  3. p. 10
  4. restricted access
  1. Squant
  2. Negativland (Musical group)
  3. p. 11
  4. restricted access
  1. SOD
  2. Jodi
  3. p. 12
  4. restricted access
  1. BlackLash
  2. Mongrel (Organization)
  3. p. 13
  4. restricted access
  1. The Community Is Watching, and Replying: Art in Public Places and Spaces
  2. Anne Bray
  3. pp. 15-21
  4. restricted access
  1. Analytical Photography: Portraiture, from the Index to the Epidermis
  2. Ken Gonzales-Day
  3. pp. 23-30
  4. restricted access
  1. Dance-Making on the Internet: Can On-Line Choreographic Projects Foster Creativity in the User-Participant?
  2. Sita Popat, Jacqueline M. Smith-Autard
  3. pp. 31-36
  4. restricted access
  1. Is One Eye Better Than Two When Viewing Pictorial Art?
  2. Kenneth J. Ciuffreda, Kimberly Engber
  3. pp. 37-40
  4. restricted access
  1. Ancient Images and New Technologies: The Semiotics of the Web
  2. Philippe Codognet
  3. pp. 41-49
  4. restricted access
  1. Color Plates
  3. pp. 51-52
  4. restricted access
  1. A Self-Defining Game for One Player: On the Nature of Creativity and the Possibility of Creative Computer Programs
  2. Harold Cohen
  3. pp. 59-64
  4. restricted access
  1. Structure in Art Practice: Technology as an Agent for Concept Development
  2. Ernest A. Edmonds
  3. pp. 65-71
  4. restricted access
  1. Drawing as a Gateway to Computer-Human Integration
  2. Michael Quantrill
  3. pp. 73-78
  4. restricted access
  1. A Collaborative and Interdisciplinary Computer Animation Course
  2. David S. Ebert, Dan Bailey
  3. pp. 83-86
  4. restricted access
  1. Interaction in an IVR Museum of Color: Constructivism Meets Virtual Reality
  2. Anne Morgan Spalter, Philip Andrew Stone, Barbara J. Meier, Timothy S. Miller, Rosemary Michelle Simpson
  3. pp. 87-90
  4. restricted access
  1. New Media Dictionary: Part V: Copy Art
  2. Louise Poissant, Philippe Boissonnet, Lou Nelson
  3. pp. 91-98
  4. restricted access
  1. Marcel Duchamp (review)
  2. Sean Cubitt
  3. pp. 99-100
  4. restricted access
  1. Global Interests: Renaissance Art Between East and West (review)
  2. Robert Pepperell
  3. p. 100
  4. restricted access
  1. Why Art Cannot Be Taught: A Handbook for Art Students (review)
  2. Roy R. Behrens
  3. pp. 100-101
  4. restricted access
  1. Multimedia, From Wagner to Virtual Reality (review)
  2. Annick Bureaud
  3. p. 101
  4. restricted access
  1. Robosapiens: Evolution of a New Species (review)
  2. Robert Pepperell
  3. p. 101
  4. restricted access
  1. The Eye's Mind: Literary Modernism and Visual Culture (review)
  2. Wilfred Niels Arnold
  3. p. 102
  4. restricted access
  1. Vermeer's Camera: Uncovering the Truth Behind the Masterpieces (review)
  2. Wilfred Niels Arnold
  3. pp. 102-103
  4. restricted access
  1. Stargazing: Astronomy Without a Telescope (review)
  2. David Topper
  3. p. 103
  4. restricted access
  1. New Wombs: Electronic Bodies and Architectural Disorders (review)
  2. Robert Pepperell
  3. pp. 103-104
  4. restricted access
  1. Art and Technology in the Nineteenth and Twentieth Centuries (review)
  2. Sean Cubitt
  3. pp. 104-105
  4. restricted access
  1. Structure in Science and Art (review)
  2. David Topper
  3. p. 105
  4. restricted access
  1. The Life of a Style: Beginnings and Endings in the Narrative History of Art (review)
  2. Robert Pepperell
  3. pp. 105-106
  4. restricted access
  1. 1000 Extra/Ordinary Objects (review)
  2. Roy R. Behrens
  3. pp. 106-107
  4. restricted access
  1. Sullivan's City: The Meaning of Ornament for Louis Sullivan (review)
  2. Roy R. Behrens
  3. p. 107
  4. restricted access
  1. The Universe Unveiled: Instruments and Images Through History (review)
  2. David Topper
  3. p. 107
  4. restricted access
  1. Whole Earth Review (review)
  2. Michael R. Mosher
  3. p. 108
  4. restricted access
  1. Introducing the LDR Panelists
  3. pp. 111-112
  4. restricted access
  1. Leonardo/ISAST News
  3. pp. 113-114
  4. restricted access
  1. A Response to William Mitchell on "The Death of Drawing"
  2. Helen Levin
  3. pp. 117-118
  4. restricted access
  1. William Mitchell Responds
  2. William J. Mitchell
  3. p. 118
  4. restricted access
  1. Creativity and Cognition 1999: Part I: Perspectives from the Third Symposium: Introduction
  2. Linda Candy
  3. pp. 55-57
  4. restricted access
  1. Introduction: SIGGRAPH 2000 Educators Program
  2. Valerie Miller
  3. p. 81
  4. restricted access
  1. Observer/Observed and Other Works of Video Semiology (review)
  2. Mike Leggett
  3. pp. 107-108
  4. restricted access
  1. Materials Received
  3. pp. 109-111
  4. restricted access