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In this Issue

Table of Contents

  1. Performance Arts and the Effects of Presence
  2. Louise Poissant
  3. p. 216
  4. restricted access
  1. Scientific Delirium Madnesss
  2. Margot H. Knight
  3. p. 219
  4. restricted access
  1. Scientific Delirium Madness Gallery
  2. Charlotte DeCroes Jacobs, Curtis W. Frank, Donna Sternberg, Sasha Petrenko, Meredith Tromble, Dawn Sumner, Pireeni Sundaralingam
  3. pp. 220-225
  4. restricted access
  1. Drapely-o-lightment: An Algorithmic Approach to Designing for Drapability in an E-Textile Garment
  2. Loe Feijs, Marina Toeters
  3. pp. 226-234
  4. restricted access
  1. Real-Time Hallucination Simulation and Sonification through User-Led Development of an iPad Augmented Reality Performance
  2. Alexis Kirke, Joel Eaton, Eduardo Miranda
  3. pp. 235-242
  4. restricted access
  1. Art, Virtual Worlds and the Emergent Imagination
  2. Denise Doyle
  3. pp. 244-250
  4. restricted access
  1. Like Windows to Another World: Constructing a Systematic Typology of Pictorial Mediums
  2. Or Ettlinger
  3. pp. 251-256
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  1. The Image of the Change: From the I Ching to the Evolution of Chaos
  2. Yuting Zou
  3. pp. 257-263
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  1. Living (on) Dust: Around the Globe with Mineral Particles & Microbial Hitchhikers
  2. Monika Bakke
  3. pp. 266-267
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  1. National Vitality, Migrant Abjection, and Coercive Mobility: The Biopolitical History of American Deportation
  2. Ethan Blue
  3. pp. 268-269
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  1. Factors Controlling Movement of Skeletal Muscles
  2. Miranda D. Grounds
  3. pp. 270-271
  4. restricted access
  1. Syncitium in Motion: Exploring Movement in the Skeletal Muscle Cell Shared by Scientific and Artistic Nuclei
  2. Stuart Hodgetts
  3. pp. 272-273
  4. restricted access
  1. Re-purposing Life in an Anti-Disciplinary and Curiosity-Driven Context
  2. Andrew E. Pelling
  3. pp. 274-275
  4. restricted access
  1. “Dead Eyes Open”: The Role of Experiments in Galvanic Reanimation in Nineteenth-Century Popular Culture
  2. Elizabeth Stephens
  3. pp. 276-277
  4. restricted access
  1. Live Interfaces
  2. Alex McLean, Maria Chatzichristodoulou, Kia Ng
  3. p. 279
  4. restricted access
  1. Exploring Disparities Between Acoustic and Digital Sound Outputs
  2. Adriana Sa
  3. pp. 280-281
  4. restricted access
  1. Controlling Rhythm in the Frequency Domain
  2. Robert Tubb
  3. pp. 282-283
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  1. Skype, Code and Shouting: A Digitally Mediated Drama between Egypt and Scotland
  2. Shabina Aslam, Eleanor Dare
  3. pp. 284-285
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  1. Sensitive Chaos
  2. David Strang
  3. pp. 286-287
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  1. Errors, Glitches and Other Mistakes in the Life of an Unredeemed Technology Lover
  2. Juan A. Romero, Georg Hobmeier, D Lorrain
  3. pp. 288-289
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  1. Emerging: Live-Digital Gestures in Action
  2. Kerry Francksen
  3. pp. 290-291
  4. restricted access
  1. Paraphernalia: A Design Approach for Electronic-Performance Tools
  2. Nancy Mauro-Flude
  3. pp. 292-293
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  1. Kinect-ed Piano
  2. Nicholas Gillian, Sarah Nicolls
  3. pp. 294-295
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  1. Conversational Interaction in Interactive Dance Works
  2. Andrew Johnston
  3. pp. 296-297
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  1. Intention, Effort, and Restraint: The EMG in Musical Performance
  2. Atau Tanaka
  3. pp. 298-299
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  1. Picturing Science: Museum Scientists and Imaging Technologies (review)
  2. Emma Zuroski, Hannah Star Rogers
  3. pp. 301-302
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  1. Fluxus: The Practice of Non-Duality by Natasha Lushetich (review)
  2. Flutur Troshani
  3. pp. 302-303
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  1. Ethos and Narrative Interpretation: The Negotiation of Values in Fiction by Liesbeth Korthals-Altes (review)
  2. Jan Baetens
  3. pp. 303-304
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  1. The Global Contemporary and the Rise of New Art Worlds ed. by Hans Belting, Andrea Buddensieg and Peter Weibel (review)
  2. Flutur Troshani
  3. pp. 304-305
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  1. Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording by David Grubbs (review)
  2. John F. Barber
  3. pp. 305-306
  4. restricted access
  1. Henri Lefebvre: Toward an Architecture of Enjoyment ed. by Łukasz Stanek (review)
  2. Jan Baetens
  3. pp. 306-307
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  1. Animating Film Theory ed. by Karen Beckman (review)
  2. Amanda Egbe
  3. pp. 307-308
  4. restricted access
  1. Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art by Charissa Terranova (review)
  2. Mike Mosher
  3. pp. 308-310
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  1. The Intelligence of a Machine by Jean Epstein (review)
  2. Martha Blassnigg
  3. pp. 310-311
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  1. Poetic Language: Theory and Practice from the Renaissance to the Present by Tom Jones (review)
  2. Jan Baetens
  3. pp. 311-312
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  1. Art, Science, and Cultural Understanding ed. by Brett Wilson (review)
  2. Jan Baetens
  3. pp. 314-315
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  1. Leonardo Reviews Online
  2. p. 315
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  1. Leonardo Network News
  2. pp. 316-317
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  1. That Drunken Conversation between Two Cultures: Art, Science and the Possibility of Meaningful Uncertainty
  2. Andrew Yang
  3. pp. 318-321
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  1. Neuroscience: A Historical Introduction by Mitchell Glickstein (review)
  2. Amy Ione
  3. pp. 312-314
  4. restricted access