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In this Issue

Table of Contents

  1. From Soul to Mind: A History of an Idea
  2. Michael Punt
  3. p. 108
  4. restricted access
  1. The LAST Festival
  2. Erich Richter, Adam Carlin, Emily Martinez, Peter Foucault, Sean McGowen, Ian Ayyad, Richard Vallejos, Joel Horne, Gene A. Felice II, David Kant, Wes Modes, Brent Townshend, Lanier Sammons, Eve Warnock, Kate Spacek, Nathan Ober, Ian Winters, Robert Edgar, Amy M. Ho, Yuan-Yi Fan, Nathan Ober, Jennifer Parker, Barney Haynes, Kristen Gillette, Weidong Yang
  3. pp. 111-116
  4. restricted access
  1. Scorescapes: On Sound, Environment and Sonic Consciousness
  2. Yolande Harris
  3. pp. 117-123
  4. restricted access
  1. Splicing Boundaries: The Experiences of Bioart Exhibition Visitors
  2. Wolfgang Kerbe, Markus Schmidt
  3. pp. 128-124
  4. restricted access
  1. Fluids in Motion: Inspiration and Realization for Artists and STEMists
  2. Norman J. Zabusky
  3. pp. 139-125
  4. restricted access
  1. Can Music Supplant Math in Environmental Planning?
  2. Zong Woo Geem
  3. pp. 147-150
  4. restricted access
  1. Art, Science and Communities of Practice
  2. Brett Wilson, Barbara Hawkins, Stuart Sim
  3. pp. 152-157
  4. restricted access
  1. Studies in Composing Hydrogen Atom Wavefunctions
  2. Lance J. Putnam, JoAnn Kuchera-Morin, Luca Peliti
  3. pp. 158-126
  4. restricted access
  1. Agency in Movement, Part 1: Papers from the 2013 “Agency in Movement” symposium held at the University of Western Australia, Perth, 2013
  2. Ionat Zurr
  3. p. 167
  4. restricted access
  1. Not Moving—Living
  2. Oron Catts
  3. pp. 170-171
  4. restricted access
  1. Choreographic Arrhythmias
  2. Jennifer Johung
  3. pp. 172-173
  4. restricted access
  1. Muscles as Motors and Muscles as Brakes
  2. Gavin Jon Pinniger
  3. pp. 174-175
  4. restricted access
  1. More than Meat and a Motor: The Diverse Biomechanical Roles of Skeletal Muscle and Their Place in ‘Semi-Living’ Machines
  2. Jonas Rubenson
  3. pp. 176-177
  4. restricted access
  1. The Affects of Agency: An Entangled Ethnography of a Living Machine
  2. Chris Salter
  3. pp. 178-179
  4. restricted access
  1. On Life, Movement and Stoppage: Agency and Ethics in the Anthropocene
  2. Joanna Zylinska
  3. pp. 180-181
  4. restricted access
  1. Transactions
  2. Ernest Edmonds
  3. p. 182
  4. restricted access
  1. On the Nature of the Background Behind Mona Lisa
  2. Claus-Christian Carbon, Vera M. Hesslinger
  3. pp. 183-184
  4. restricted access
  1. Critical Aesthetics and Compositional Informatics
  2. Colin Holter
  3. p. 185
  4. restricted access
  1. Research in Human-Computer-Biosphere Interaction
  2. Hill Hiroki Kobayashi
  3. pp. 186-187
  4. restricted access
  1. Visions Project K. 1 DIY: 3D Interactive Device
  2. Francesca Mereu, Javier Villarroel
  3. pp. 188-189
  4. restricted access
  1. Manifesto on Art, Design and Social Science—Method as Speculative Event
  2. Mike Michael, Brigid Costello, Julie Mooney-Somers, Ian Kerridge
  3. pp. 190-191
  4. restricted access
  1. The Dialectics of Kinesis + Stasis in My Visual Art
  2. Maureen Nappi
  3. pp. 192-193
  4. restricted access
  1. A DJ in the Library
  2. D.A. Norton
  3. pp. 194-195
  4. restricted access
  1. Sequences and Intervals
  2. Gareth Polmeer
  3. pp. 196-197
  4. restricted access
  1. Literary Gaming by Astrid Ensslin (review)
  2. Rob Harle, Michael Punt, Bryony Dalefield, Martha Blassnigg, Hannah Drayson, Dene Grigar, John Vines
  3. pp. 199-200
  4. restricted access
  1. Marketing the Moon: The Selling of the Apollo Lunar Program by David Meerman Scott and Richard Jurek (review)
  2. Stephen Petersen
  3. pp. 200-201
  4. restricted access
  1. The Human Factor: The Figure in Contemporary Sculpture ed. by Ralph Rugoff (review)
  2. Rob Harle
  3. pp. 201-202
  4. restricted access
  1. Enlightening Symbols: A Short History of Mathematical Notation and its Hidden Powers by Joseph Mazur (review)
  2. Phil Dyke
  3. pp. 202-203
  4. restricted access
  1. Self-Projection: The Director’s Image in Art Cinema by Linda Haverty Rugg (review)
  2. Jan Baetens
  3. pp. 203-204
  4. restricted access
  1. Umm Kulthum: Artistic Agency and the Shaping of an Arab Legend, 1967–2007 by Laura Lohman (review)
  2. Jonathan Zilberg
  3. pp. 204-205
  4. restricted access
  1. From Literature to Biterature: Lem, Turing, Darwin, and Explorations in Computer Literature, Philosophy of Mind, and Cultural Evolution by Peter Swirski (review)
  2. Enzo Ferrara
  3. pp. 205-206
  4. restricted access
  1. Re-Collection: Art, New Media, and Social Memory by Richard Rinehart and Jon Ippolito by Richard Rinehart and Jon Ippolito (review)
  2. Mike Leggett
  3. pp. 206-207
  4. restricted access
  1. Forgetting the Art World by Pamela M. Lee (review)
  2. Flutur Troshani
  3. pp. 207-208
  4. restricted access
  1. Einstein and the Quantum: The Quest of the Valiant Swabian by by A. Douglas Stone (review)
  2. Christopher B. Germann
  3. pp. 208-209
  4. restricted access
  1. Love Objects: Emotion, Design and Material Culture ed. by Anna Moran and Sorcha O’Brien (review)
  2. Jan Baetens
  3. pp. 209-210
  4. restricted access
  1. Meta-Life: Biotechnologies, Synthetic Biology, Alife and the Arts ed. by Annick Bureaud, Roger F. Malina and Louise Whiteley (review)
  2. David Etxeberria
  3. pp. 210-211
  4. restricted access
  1. Leonardo Reviews Online
  3. pp. 211-212
  4. restricted access
  1. Leonardo Network News
  2. Maryam Shamlou
  3. pp. 213-214
  4. restricted access
  1. Agency in Movement: An Introduction
  2. Ionat Zurr
  3. pp. 168-169
  4. restricted access