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Volume 46, Number 2, 2013

Table of Contents

Editorial

Can the Arts Help to Save the World?

p. 110

Artists' Articles

Context Machines: A Series of Situated and Self-Organizing Artworks

pp. 114-122

CO2morrow: Shedding Light on the Climate Crisis

pp. 124-132

Artist's Note

One Color—: A White Asbestos (Chrysotile) Painting

pp. 134-138

Color Plates

Color Plates

pp. 141-144

General Articles

Neural Correlates of Myths in Which an Image Becomes Alive

pp. 145-150

Hybrid Biological-Digital Systems in Artistic and Entertainment Computing

pp. 151-158

General Note

Lunar Cemetery: Global Heterotopia and the Biopolitics of Death

pp. 159-162

Historical Perspective

Drawing w/Digits_Painting w/ Pixels: Selected Artworks of the Gesture over 50 Years

pp. 163-169

Theoretical Perspective

Algorithms as Structural Metaphors: Reflections on the Digital-Cultural Feedback Loop

pp. 171-177

Leonardo Reviews

Deadline Every Second: On Assignment with 12 Associated Press Photo-Journalists produced by Ken Kobré and John Hewitt (review)

pp. 179-180

Open Access by Peter Suber (review)

pp. 180-181

Alien Phenomenology: Or, What It's Like to Be a Thing by Ian Bogost (review)

p. 181

The Future Was Here: The Commodore Amiga by Jimmy Maher (review)

pp. 181-182

Under Blue Cup by Rosalind E. Krauss (review)

pp. 182-184

Beyond the Dream Syndicate: Tony Conrad and the Arts after Cage by Branden W. Joseph (review)

pp. 184-185

High Society: Mind-Altering Drugs in History and Culture by Mike Jay (review)

pp. 185-186

Debates in the Digital Humanities ed. by Matthew K. Gold (review)

pp. 186-187

When Biometrics Fail: Gender, Race, and the Technology of Identity by Shoshana Amielle Magnet (review)

pp. 187-189

Cybertext Poetics: The Critical Landscape of New Media Literary Theory by Markku Eskelinen (review)

pp. 189-190

The Art of Cruelty: A Reckoning by Maggie Nelson (review)

pp. 190-191

Leonardo Reviews On-Line

p. 191

Leonardo Network News

Leonardo Network News

pp. 192-193

Endnote

SEAD: The Network for Sciences, Engineering, Arts and Design

pp. 194-198

Research Areas

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