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In this Issue

Table of Contents

  1. Minding the Gap: Risk Capital and the Myth of Two Cultures
  2. Patricia Olynyk
  3. p. 2
  4. restricted access
  1. Color Plates
  2. pp. 5-8
  3. restricted access
  1. The Harrisons: Talking and Remembering
  2. Helen Mayer Harrison, Newton Harrison, Peter Selz
  3. pp. 9-16
  4. restricted access
  1. The Tree, the Spiral and the Web of Life: A Visual Exploration of Biological Evolution for Public Murals
  2. Joana Ricou, John Archie Pollock
  3. pp. 18-25
  4. restricted access
  1. The Postmodern Beauty of Fractals
  2. Mehrdad Garousi
  3. pp. 26-32
  4. restricted access
  1. Reading John Cage's Variations III as a Process for Generating Proto-Architectural Form
  2. Michael Fowler
  3. pp. 34-41
  4. restricted access
  1. Conceptual Art: A Blind Spot for Neuroaesthetics?
  2. Gregory Minissale
  3. pp. 43-48
  4. restricted access
  1. Electric Circus, Electric Ear and the Intermedia Center in Late-1960s New York
  2. Robert J. Gluck
  3. pp. 50-56
  4. restricted access
  1. Contemporary Art and Cybernetics: Waves of Cybernetic Discourse within Conceptual, Video and New Media Art
  2. Etan J. Ilfeld
  3. pp. 57-63
  4. restricted access
  1. U-n-f-o-l-d: A Cultural Response to Climate Change (review)
  2. Elizabeth Straughan, Deborah Dixon, Harriet Hawkins
  3. pp. 65-66
  4. restricted access
  1. La science n'est pas l'art (review)
  2. Jacques Mandelbrojt
  3. p. 66
  4. restricted access
  1. La science n'est pas l'art (review)
  2. Roger F. Malina
  3. pp. 66-68
  4. restricted access
  1. Air (review)
  2. Jan Baetens
  3. pp. 68-69
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  1. The Filming of Modern Life: European Avant Garde Film of the 1920s (review)
  2. Jan Baetens
  3. pp. 69-70
  4. restricted access
  1. Radical Light: Alternative Film and Video in the San Francisco Bay Area 1945-2000 (review)
  2. Mike Leggett
  3. pp. 70-71
  4. restricted access
  1. New Realisms: 1957-1962: Object Strategies between Readymade and Spectacle (review)
  2. Stephen Petersen
  3. pp. 71-72
  4. restricted access
  1. Performing the Archive: The Transformation of the Archive in Contemporary Art from Repository of Documents to Art Medium (review)
  2. Jonathan Zilberg
  3. pp. 72-73
  4. restricted access
  1. In Praise of Copying (review)
  2. Amy Ione
  3. pp. 73-74
  4. restricted access
  1. Compression & Purity (review)
  2. Allan Graubard
  3. p. 75
  4. restricted access
  1. Leonardo Reviews On-Line
  2. pp. 75-76
  3. restricted access
  1. Arts, Humanities and Complex Networks
  2. Maximilian Schich, Isabel Meirelles
  3. p. 77
  4. restricted access
  1. Networks of Contemporary Popular Musicians
  2. Juyong Park
  3. pp. 78-79
  4. restricted access
  1. Social, Sexual and Economic Networks of Prostitution
  2. Petter Holme
  3. pp. 80-81
  4. restricted access
  1. GAP: A Neogeo Approach to Classical Resources
  2. Leif Isaksen, Elton Barker, Eric C. Kansa, Kate Byrne
  3. pp. 82-83
  4. restricted access
  1. 06.213: Attacks with Knives and Sharp Instruments: Quantitative Coding and the Witness to Atrocity
  2. Ben Miller
  3. pp. 86-87
  4. restricted access
  1. The Development of the Journal Environment of Leonardo
  2. Alkim Almila Akdag Salah, Loet Leydesdorff
  3. pp. 88-89
  4. restricted access
  1. Transactions
  2. Ernest Edmonds
  3. p. 91
  4. restricted access
  1. Developing Software-Dependent Artwork: Artist and Software Developers' Collaboration
  2. Salah Uddin Ahmed
  3. pp. 92-93
  4. restricted access
  1. Media Art, Mediality and Art Generally
  2. Brogan Bunt
  3. pp. 94-95
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  1. Songs of Genes, by Genes, for Genes
  2. Dongya Ge, Yixue Li
  3. pp. 96-97
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  1. Crystal Zoetrope: New Visual Medium for Displaying 3D Animation
  2. Woohun Lee, JinHa Seong
  3. pp. 98-99
  4. restricted access
  1. Leonardo Network News
  2. p. 100
  3. restricted access