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Volume 42, Number 1, February 2009

Table of Contents


The Future of Leonardo Depends on You!

p. 2

Color Plates

Color Plates

pp. 5-9

Artists' Articles

Patterns That Connect

pp. 10-15

Without Visible Scars: Digital Art and the Memory of War

pp. 16-26

Intimate Distances: Mediating Mutuality, Contestation and Exchange between Bodies

pp. 28-35

General Articles

Campaigners for Camouflage: Abbott H. Thayer and William J. Dakin

pp. 36-41

Hindu Tree Veneration as a Mode of Environmental Encounter

pp. 43-51

Fact and Fantasy in Nanotech Imagery

pp. 52-57

Scoring the Work: Documenting Practice and Performance in Variable Media Art

pp. 59-63

Theoretical Perspective

Kinetic Architectural Skins and the Computational Sublime

pp. 65-70


New Criteria for New Media

pp. 71-75

Leonardo Reviews

Flatland: The Movie Edition (review)

pp. 77-78

YLEM Journal: Artists Using Science & Technology (review)

p. 78

Charles Ives Reconsidered (review)

pp. 78-80

Philosophies of Nature after Schelling (review)

pp. 80-81

Riding the Waves: A Life in Sound, Science, and Industry (review)

pp. 81-82

Notes on the Underground, New Edition: An Essay on Technology, Society, and the Imagination (review)

pp. 82-83

Picturing Space, Displacing Bodies: Anamorphosis in Early Modern Theories of Perspective (review)

pp. 83-85

The Cult of Statistical Significance (review)

p. 85

Topologies: The Urban Utopia in France, 1960–1970 (review)

pp. 85-86

Frameworks, Artworks, Place: The Space of Perception in the Modern World (review)

pp. 86-87

Two Regimes of Madness: Texts and Interviews 1975–1995 (review)

pp. 87-88

Leonardo Reviews On-Line

pp. 88-89


Harnessing the Enactive Knowledge of Musicians to Allow the Real-Time Performance of Correlated Music and Computer Graphics

pp. 92-93

Widening Unequal Tempered Microtonal Pitch Space for Metaphoric and Cognitive Purposes with New Prime Number Scales

pp. 94-95

Augmenting Creative Realities: The Second Life Performance Project

pp. 96-97

Flow—: A Flowing Information Interactive Art

pp. 98-99

Leonardo Network News

Leonardo Network News

pp. 100-101



p. 101


When Does Art Become Science and Science Art?

pp. 103-104

Research Areas


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