Abstract

This study focuses on the most recent dramatic production of Víctor Hugo Rascón Banda, that is, on the works written during the last lustrum, a period of significant change that is intensified because of his hospitalization between 2000 and 2004 and the extended reclusion at home in between, a time in which he was practically isolated because of his illness and subjected to horrible treatments. Such changes are fundamentally stylistic, of elements of form, and are reflected above all in the emotional tone of extreme sensitivity that impregnates such texts as Sazón de mujer, Table dance, El ausente, El diván, Ahora y en la hora, El deseo, Hotel Juárez, Apaches y Cautivas.

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