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Table of Contents

  1. Editor's Note: A Selection of the Works of Gerard Béhague
  2. Robin Moore
  3. pp. 1-9
  4. DOI: https://doi.org/10.1353/lat.2006.0025
  5. restricted access
  1. A Performance and Listener-Centered Approach to Musical Analysis: Some Theoretical and Methodological Factors
  2. Gerard Béhague
  3. pp. 10-18
  4. DOI: https://doi.org/10.1353/lat.2006.0000
  5. restricted access
  1. Diversity and the Arts: Issues and Strategies
  2. Gerard Béhague
  3. pp. 19-27
  4. DOI: https://doi.org/10.1353/lat.2006.0015
  5. restricted access
  1. Indianism in Latin American Art-Music Composition of the 1920s to 1940s: Case Studies from Mexico, Peru, and Brazil
  2. Gerard Béhague
  3. pp. 28-37
  4. DOI: https://doi.org/10.1353/lat.2006.0016
  5. restricted access
  1. La problemática de la identidad cultural en la música culta hispano-caribeña
  2. Gerard Béhague
  3. pp. 38-46
  4. DOI: https://doi.org/10.1353/lat.2006.0017
  5. restricted access
  1. La problemática de la posición socio-política del compositor en la música nueva en Latinoamérica
  2. Gerard Béhague
  3. pp. 47-56
  4. DOI: https://doi.org/10.1353/lat.2006.0018
  5. restricted access
  1. Música 'erudita', 'folclórica' e 'popular' do Brasil: Interações e inferências para a musicologia e etnomusicologia modernas
  2. Gerard Béhague
  3. pp. 57-68
  4. DOI: https://doi.org/10.1353/lat.2006.0019
  5. restricted access
  1. Perspectivas atuais na pesquisa musical e estratégias analíticas da Música Popular Brasileira
  2. Gerard Béhague
  3. pp. 69-78
  4. DOI: https://doi.org/10.1353/lat.2006.0020
  5. restricted access
  1. Rap, Reggae, Rock, or Samba: The Local and the Global in Brazilian Popular Music (1985-95)
  2. Gerard Béhague
  3. pp. 79-90
  4. DOI: https://doi.org/10.1353/lat.2006.0021
  5. restricted access
  1. Regional and National Trends in Afro-Brazilian Religious Musics: A Case of Cultural Pluralism
  2. Gerard Béhague
  3. pp. 91-103
  4. DOI: https://doi.org/10.1353/lat.2006.0022
  5. restricted access
  1. Jazz Consciousness: Music, Race, and Humanity (review)
  2. David F. García
  3. pp. 104-108
  4. DOI: https://doi.org/10.1353/lat.2006.0023
  5. restricted access
  1. Blackface Cuba, 1840-1895 (review)
  2. Robin Moore
  3. pp. 108-112
  4. DOI: https://doi.org/10.1353/lat.2006.0026
  5. restricted access
  1. Tambora: Baile cantado en Colombia (review)
  2. Carolina Santamaría
  3. pp. 112-114
  4. DOI: https://doi.org/10.1353/lat.2006.0028
  5. restricted access
  1. Guitarra de Cristal: Contemporary Cuban Music for the Guitar (review)
  2. Alejandro L. Madrid-González
  3. pp. 114-115
  4. DOI: https://doi.org/10.1353/lat.2006.0024
  5. restricted access
  1. Rolas de Aztlán: Songs of the Chicano Movement (review)
  2. Brenda M. Romero
  3. pp. 115-118
  4. DOI: https://doi.org/10.1353/lat.2006.0027
  5. restricted access