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Browse Book and Journal Content on Project MUSE

Volume 30, Number 1, Spring/Summer 2009

Table of Contents


The Acoustic Body: Rumba Guarapachanguera and Abakuá Sociality in Central Park

pp. 1-24 | DOI: 10.1353/lat.0.0031

The Singing Voice and Racial Politics on the Brazilian Evangelical Music Scene

pp. 25-55 | DOI: 10.1353/lat.0.0032

Appropriation in Reverse; or What Happens When Popular Music Goes Dodecaphonic

pp. 56-68 | DOI: 10.1353/lat.0.0030

Placer Culpable: Shame and Nostalgia in the Chilean 1990s Balada Revival

pp. 69-98 | DOI: 10.1353/lat.0.0034


Imposing Harmony: Music and Society in Colonial Cuzco (review)

pp. 99-103 | DOI: 10.1353/lat.0.0028

Seis casi-sonatas en cuartos de tono para violoncello solo (review)

pp. 103-105 | DOI: 10.1353/lat.0.0029

Marimbas in Latinamerika. Historische Fakten und Status quo der Marimbatraditionen in Mexiko, Guatemala, Belize, Honduras, El Salvador, Nicaragua, Costa Rica, Kolumbien, Ecuador, und Brasilien (review)

pp. 105-107 | DOI: 10.1353/lat.0.0027

Kusisqa Waqashayku (review)

pp. 107-109 | DOI: 10.1353/lat.0.0036

Communications and Announcements

Communications and Announcements

pp. 110-112 | DOI: 10.1353/lat.0.0035



pp. 113-114 | DOI: 10.1353/lat.0.0033

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