Color Plates

Color Plates217 Plate 1. Piazza Navona: San Giacomo degli Spagnoli, currently known as Nostra Signora del Sacro Cuore, Rome. Photo © John K. Moore, Jr. 2007. Plate 2. Iglesia de Santiago de Peñalba (León). From the northeast. Photo: Tom Wood. 218Color PlatesLa coránica 36.2, 2008 Plate 3. Iglesia de Santiago de Peñalba (León). Puerta Sur. Photo: Tom Wood. Color Plates219 Plate 4. Iglesia de Santiago de Puente la Reina (Navarra). Departamento de Historia del Arte I (Medieval), Universidad Complutense de Madrid. 220Color PlatesLa coránica 36.2, 2008 Plate 5. Iglesia de San Isidoro de León. Interior del crucero. Departamento de Historia del Arte I (Medieval), Universidad Complutense de Madrid. Color Plates221 Plate 6. Catedral de Santiago de Compostela. Detalle del exterior de la cabecera. Departamento de Historia del Arte I (Medieval), Universidad Complutense de Madrid. Plate 7. Arca Santa (Catedral de Oviedo). Departamento de Historia del Arte I (Medieval), Universidad Complutense de Madrid. 222Color PlatesLa coránica 36.2, 2008 Plate 8. Arqueta de Leyre (Museo de Navarra). Departamento de Historia del Arte I (Medieval), Universidad Complutense de Madrid. Piate 9. Caja de juegos de la hija de Abd al-Rahman III (Museo de Burgos). Departamento de Historia del Arte I (Medieval), Universidad Complutense de Madrid. Color Plates223 Plate 10. Almohada de Doña Berenguela (Monasterio de las Huelgas, Burgos). Departamento de Historia del Arte I (Medieval), Universidad Complutense de Madrid. 224La coránica 36.2, 2008 Plate 11. The central aisle of the Qarwiyyin Congregational Mosque in Fez, Morocco. Photo © Juan Antonio Fernández-Oronoz Nieto. Color Plates225 Plate 12 (left). A bell-lamp that hangs in the ninth cupola from the mihrab, Qarwiyyin Mosque, Fez, 12th-13th c. Diam. 28 3/8" in. Copper alloy. Photo © Juan Antonio Fernández-Oronoz Nieto. Plate 13 (below). The Marinid bell-lamp brought from Gibraltar in 1333, which hangs in the eighth cupola of the Qarwiyyin Mosque, Fez. Diam. 44 7/8 in. Photo © Juan Antonio Fernández-Oronoz Nieto. 226Color PlatesLa coránica 36.2, 2008 Plate 14. Miniature from Cantiga 83, dated 1221, in which the bells are ringing as Mass is said. MS T.I. 1, 12Iv. Collection of the library of the Monastery of San Lorenzo del Escorial. Plate 15. Detail of Cantiga 83 miniature, showing how the left bell is in an upright position, indicating that it is being rung. Color Plates227 Plate 16. Adam and Eve in the garden with the serpent and the tree (upper register); Cain and Abel make burnt sacrifice in the lower register. God's hand blesses Abel's sacrifice, and fire from heaven shows God's displeasure with Cain. Yale Ms. 229, F 253r. Plates 16-22 used by permission ofthe Beinecke Rare Book and Manuscript Library, Yale University. Plate 17. The vulnerability and physical privation of the pilgrim who is strengthened by his faith is suggested by this episode of Perceval's stranding. Here, Perceval is visited by a man dressed like a priest, whose crown ofwhite silk is seven fingers high and bears the name ofChrist. Presumably, Perceval's visitor is Christ (217v.a.l4-21). Yale Ms. 229, F217v. 228Color PlatesLa coránica 36.2, 2008 Plate 19. Column a: Gauains and Hestor go their separate ways. Column b: Bohort meets an elderly priest (wearing a master's hat), and they ride along, discussing confession and debating the importance of genealogy in the context of salvation and have a meal together in an interior space. A bird in the lower margin either holds the Host out of the reach of a dog, or prepares to say mass to the dog, who, according to the homiletic text, may need to confess before he receives the Host. A bird at the center column is probably meant as a pelican, corresponding to Bohort's Color Plates229 Plate 18. On the rock, Perceval is visited by the devil in the guise of a damsel in a black ship (219r.a.40-b.l3-38). Perceval, disarmed and disrobed by the damsel, seems vulnerable and "off balance," like the tottering knight along the upper edge of the frame; his sexual parts have been left vulnerable...