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Browse Book and Journal Content on Project MUSE

Volume 25, Issue 2, Summer 2013

Table of Contents


Neil Gaiman’s Lucifer: Reconsidering Milton’s Satan

pp. 175-185

Aliens Are Us: Cosmic Liminality, Remixticism, and Alienation in Psytrance

pp. 186-204

Thou Shalt Get thy Praise On!: Analysis on the Conversion and Community Maintenance Powers of Contemporary Christian Music

pp. 205-216

Martians, Demons, Vampires, and Vicars: The Church of England in Post-War Science Fiction

pp. 217-229

Shout-Outs to the Creator: The Use of Biblical Themes in Rap Lyrics

pp. 230-248

Can the Veil Be Cool?

pp. 249-263

Religious Imperatives, Boogaloo Rhythms: Taking another Listen to Albert Ayler’s New Grass

pp. 264-272

Dialogicality and Spiritual Quest in Christian Metal Lyrics

pp. 273-286

Dr. Bronner’s “Magic Soaps” Religion: A Tikkun Olam Response to the Holocaust, the Atom Bomb, and the Cold War

pp. 287-301


Screening the Afterlife: Theology, Eschatology and Film

pp. 302-303

Screening the Afterlife: Theology, Eschatology and Film

pp. 304-305

Roman Catholicism in Fantastic Film: Essays on Belief, Spectacle, Ritual and Imagery

pp. 306-307

Secularization and Its Discontents

pp. 308-309

Blick über den Tod hinaus: Bilder vom Leben nach dem Tod / Seeing beyond Death: Images of the Afterlife in Theology and Film

pp. 310-311

Gods Behaving Badly: Media, Religion, and Celebrity Culture

pp. 312-313

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