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Volume 25, Number 1, Spring 2013

Table of Contents


Suicide Bombing: The Cultural Foundations of Morocco’s New Version of Martyrdom

pp. 1-33

Is The Da Vinci Code True?

pp. 34-48

Religious Thought as Manifested in the Musical Content of George Harrison’s Brainwashed

pp. 49-66

Harry Potter and the Legends of Saints

pp. 67-81

Marking Mormon Difference: How Western Perceptions of Islam Defined the “Mormon Menace”

pp. 82-97

“No Magic against Love,” or Dark Seduction Redirected: Perspectives on the Fantasy Film Krabat

pp. 98-109

Some More Light on the Text: Watching HBO’s Deadwood with and without the Apostle Paul

pp. 110-119

“Let them have Dominion”: “Dominion Theology” and the Construction of Religious Extremism in the US Media

pp. 120-145

“An Extreme Sense of Destiny”: Bob Dylan, Affect, and Final Causation

pp. 146-162


Monsters in America: Our Historical Obsession with the Hideous and the Haunting by W. Scott Poole (review)

pp. 163-164

The Embodied Eye: Religious Visual Culture and the Social Life of Feeling by Morgan, David (review)

pp. 165-166

Godwired: Religion, Ritual and Virtual Reality by Wagner, Rachel (review)

pp. 167-168

The Celluloid Madonna: From Scripture to Screen by O’Brien, Catherine (review)

pp. 169-170

The Theology of Dracula: Reading the Book of Stoker as Sacred Text by Rarignac, Noel Montague-Etienne (review)

pp. 171-172

Religion and Science Fiction ed. by McGrath, James F (review)

pp. 173-174

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