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  • Contributors

Patrick Collier is associate professor of English at Ball State University, where he teaches film studies and nineteenth- and twentieth-century British literature. He has written extensively on the relations between journalism and literature and is the author of Modernism on Fleet Street (Ashgate, 2006) and coeditor (with Ann Ardis) of Transatlantic Print Culture 1880-1940: Emerging Media, Emerging Modernisms (Palgrave-Macmillan, 2008).

Lee Garver is associate professor of English and director of graduate studies at Butler University, where he teaches courses on British modernism, feminist social movements, and colonial and postcolonial literature. His research focuses on the politics and culture of early British modernism, especially the work of individuals who wrote for the British radical magazine The New Age. In addition to writing introductions to volumes eight and nineteen of the Modernist Journals Project edition of this magazine, he has published articles on Katherine Mansfield, Ezra Pound, and T. E. Hulme, among others. He is working on a book project titled "Modernism and Radical Politics: The New Age, Edwardian Cultural Conflict, and Modernist British Aesthetics 1907-1914."

Emily Hage is assistant professor at Saint Joseph's University, where she teaches art history. A specialist in modern and contemporary art, she earned her doctoral degree in the history of art from the University of Pennsylvania and wrote her dissertation, to be published in book form, on Dada art journals. Recent and forthcoming publications include "Transnational Exchange, Recontextualization, and Identity in Dada Art Journals" (English Language Notes) and contributions to The DADA Reader: A Critical Anthology (2006), Dada (2005), Chance Aesthetics: International Experiments [End Page 133] in Modern Art (2009), and a volume on the Philadelphia Museum of Art's collection of works by African American artists (c. 2014).

Sharon Hamilton is academic dean at the International University, Vienna. Her chapter "New York Modern: The Smart Set (1900-1929) and American Parade (1926)" will appear in the forthcoming second volume of The Oxford Critical and Cultural History of Modernist Magazines, edited by Andrew Thacker and Peter Brooker. [End Page 134]

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