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Table of Contents

  1. Under-Writing: Forming an American Minority Literature
  2. Gina Masucci MacKenzie
  3. pp. 1-11
  4. DOI: https://doi.org/10.1353/jml.2004.0035
  5. restricted access
  1. A Rose Is a Pose: Steinian Modernism and Mass Culture
  2. Alyson Tischler
  3. pp. 12-27
  4. DOI: https://doi.org/10.1353/jml.2004.0047
  5. restricted access
  1. Double Trouble: The Hueffer Brothers and the Artistic Temperament
  2. Michele K. Troy
  3. pp. 28-46
  4. DOI: https://doi.org/10.1353/jml.2004.0048
  5. restricted access
  1. Art Criticism as Narrative Strategy: Clement Greenberg's Critical Encounter with Franz Kline
  2. Daniel A. Siedell
  3. pp. 47-61
  4. DOI: https://doi.org/10.1353/jml.2004.0046
  5. restricted access
  1. A.N. Wilson and Marcel Proust: Surprising Bedfellows
  2. Morton Levitt
  3. pp. 62-72
  4. DOI: https://doi.org/10.1353/jml.2004.0032
  5. restricted access
  1. Theology for Atheists: Reading Ammons
  2. J. T. Barbarese
  3. pp. 73-83
  4. DOI: https://doi.org/10.1353/jml.2004.0027
  5. restricted access
  1. Postmodern Ethics and the Expression of Differends in the Novels of Jeanette Winterson
  2. Chloë Taylor
  3. pp. 84-102
  4. DOI: https://doi.org/10.1353/jml.2004.0036
  5. restricted access
  1. Representation, Violence, and The Fate of Culture: An Interview with Geoffrey Hartman
  2. Steve Newman, Geoffrey H. Hartman
  3. pp. 103-122
  4. DOI: https://doi.org/10.1353/jml.2004.0037
  5. restricted access
  1. Not Without Love: Memoirs
  2. Donald E. Pease
  3. pp. 123-127
  4. DOI: https://doi.org/10.1353/jml.2004.0043
  5. restricted access
  1. Yeats with Lacan: Towards the Real Modernism
  2. Daniel T. O'Hara
  3. pp. 128-135
  4. DOI: https://doi.org/10.1353/jml.2004.0039
  5. restricted access
  1. Why Lacan?
  2. Daniel T. O'Hara
  3. pp. 136-142
  4. DOI: https://doi.org/10.1353/jml.2004.0040
  5. restricted access
  1. Conrad Scholarship Under New-Millennium Western Eyes
  2. Michael Lackey
  3. pp. 143-147
  4. DOI: https://doi.org/10.1353/jml.2004.0030
  5. restricted access
  1. The Edges of Surrealism
  2. Jonathan P. Eburne
  3. pp. 148-153
  4. DOI: https://doi.org/10.1353/jml.2004.0029
  5. restricted access
  1. Modernism's Ghosts
  2. Daniel T. O'Hara
  3. pp. 154-158
  4. DOI: https://doi.org/10.1353/jml.2004.0041
  5. restricted access
  1. Skeptical Music: Essays on Modern Poetry
  2. Daniel T. O'Hara
  3. pp. 159-160
  4. DOI: https://doi.org/10.1353/jml.2004.0042
  5. restricted access
  1. Shades of Beckett
  2. Jean-Michel Rabaté
  3. pp. 161-165
  4. DOI: https://doi.org/10.1353/jml.2004.0044
  5. restricted access
  1. Tom Stoppard: A Life
  2. Morton Levitt
  3. pp. 166-168
  4. DOI: https://doi.org/10.1353/jml.2004.0033
  5. restricted access
  1. Going the Distance
  2. Paulette Gergen Lane
  3. pp. 169-172
  4. DOI: https://doi.org/10.1353/jml.2004.0031
  5. restricted access
  1. You and I: John Ashbery's Open Invitation
  2. Page Richards
  3. pp. 173-174
  4. DOI: https://doi.org/10.1353/jml.2004.0045
  5. restricted access
  1. Hitler and the Power of Aesthetics
  2. Morton Levitt
  3. pp. 175-178
  4. DOI: https://doi.org/10.1353/jml.2004.0034
  5. restricted access
  1. Editor's Introduction: "It Must Change"
  2. Daniel T. O'Hara
  3. p. v
  4. DOI: https://doi.org/10.1353/jml.2004.0038
  5. restricted access
  1. Contributors
  2. pp. 180-181
  3. DOI: https://doi.org/10.1353/jml.2004.0028
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