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Volume 16, Number 2, Fall 2011

Table of Contents

Thematic Issue: Unsettling the National in Korean Cinema

Guest Editor: JungBong Choi

Note from the Editors

p. 165 | DOI: 10.1353/jks.2011.0021


pp. 169-172 | DOI: 10.1353/jks.2011.0010


National Cinema: An Anachronistic Delirium?

pp. 173-191 | DOI: 10.1353/jks.2011.0012

Visibility, Nationality, Archive

pp. 193-211 | DOI: 10.1353/jks.2011.0014

The Power of Representation: Korean Movie Narrators and Authority

pp. 213-229 | DOI: 10.1353/jks.2011.0016

The Transnational Constitution of Im Kwon-Taek’s Minjok Cinema in Chokpo, Sŏp’yŏnje, and Ch’wihwasŏn

pp. 231-248 | DOI: 10.1353/jks.2011.0018

Restoring the Transnational from the Abyss of Ethnonational Film Historiography: The Case of Chung Chang Wha

pp. 249-283 | DOI: 10.1353/jks.2011.0020

Cartography of Catastrophe: Pre-Colonial Surveys, Post-Colonial Vampires, and the Plight of Korean Modernity

pp. 285-301 | DOI: 10.1353/jks.2011.0009

Book Reviews

Gender and Mission Encounters in Korea: New Women, Old Ways (review)

pp. 303-306 | DOI: 10.1353/jks.2011.0011

Japanese Assimilation Policies in Colonial Korea, 1910–1945 (review)

pp. 307-309 | DOI: 10.1353/jks.2011.0013

Witness to Transformation: Refugee Insights into North Korea (review)

pp. 309-313 | DOI: 10.1353/jks.2011.0015

Inside the Red Box: North Korea’s Post-totalitarian Politics, and: The Hidden People of North Korea: Everyday Life in the Hermit Kingdom (review)

pp. 313-316 | DOI: 10.1353/jks.2011.0017

Horror to the Extreme: Changing Boundaries in Asian Cinema (review)

pp. 317-319 | DOI: 10.1353/jks.2011.0019

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