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Table of Contents

  1. Note from the Editors
  2. Clark W. Sorensen, Donald Baker, Chiho Sawada, Tracy L. Stober, Joshua Van Lieu
  3. p. 165
  4. DOI: https://doi.org/10.1353/jks.2011.0021
  5. restricted access
  1. National Cinema: An Anachronistic Delirium?
  2. JungBong Choi
  3. pp. 173-191
  4. DOI: https://doi.org/10.1353/jks.2011.0012
  5. restricted access
  1. Visibility, Nationality, Archive
  2. Steven Chung
  3. pp. 193-211
  4. DOI: https://doi.org/10.1353/jks.2011.0014
  5. restricted access
  1. The Power of Representation: Korean Movie Narrators and Authority
  2. Roald Maliangkay
  3. pp. 213-229
  4. DOI: https://doi.org/10.1353/jks.2011.0016
  5. restricted access
  1. The Transnational Constitution of Im Kwon-Taek’s Minjok Cinema in Chokpo, Sŏp’yŏnje, and Ch’wihwasŏn
  2. Kyung Hyun Kim
  3. pp. 231-248
  4. DOI: https://doi.org/10.1353/jks.2011.0018
  5. restricted access
  1. Cartography of Catastrophe: Pre-Colonial Surveys, Post-Colonial Vampires, and the Plight of Korean Modernity
  2. Soyoung Kim
  3. pp. 285-301
  4. DOI: https://doi.org/10.1353/jks.2011.0009
  5. restricted access
  1. Gender and Mission Encounters in Korea: New Women, Old Ways (review)
  2. Su Yun Kim
  3. pp. 303-306
  4. DOI: https://doi.org/10.1353/jks.2011.0011
  5. restricted access
  1. Japanese Assimilation Policies in Colonial Korea, 1910–1945 (review)
  2. Michael Kim
  3. pp. 307-309
  4. DOI: https://doi.org/10.1353/jks.2011.0013
  5. restricted access
  1. Witness to Transformation: Refugee Insights into North Korea (review)
  2. Ivo Plsek
  3. pp. 309-313
  4. DOI: https://doi.org/10.1353/jks.2011.0015
  5. restricted access
  1. Horror to the Extreme: Changing Boundaries in Asian Cinema (review)
  2. Kyu Hyun Kim
  3. pp. 317-319
  4. DOI: https://doi.org/10.1353/jks.2011.0019
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  1. Introduction
  2. JungBong Choi
  3. pp. 169-172
  4. DOI: https://doi.org/10.1353/jks.2011.0010
  5. restricted access