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Issue 7, Number 1, January 2014

Table of Contents

Special Edition: The Berkeley School of Jewish Literature

Inspired by and In Honor of Chana Kronfeld

The Berkeley School of Jewish Literature

pp. 1-7 | DOI: 10.1353/jji.2014.0005

On the Margins and Other Impossible Spaces

pp. 9-21 | DOI: 10.1353/jji.2014.0007

Milgroym, Rimon and Interwar Jewish Bilingualism

pp. 23-48 | DOI: 10.1353/jji.2014.0009

The Purim-shpiler and the Melancholy Clown: Folk Performance between Tradition and Modernism in the Work of Avraham Shlonsky and Moyshe Broderzon

pp. 49-78 | DOI: 10.1353/jji.2014.0011

What Does It Mean to Write a Modern Jewish Sonnet?: Some Challenges of Yiddish and Hebrew

pp. 79-107 | DOI: 10.1353/jji.2014.0001

Translation on the Margins: Hebrew-German-Yiddish Multilingualism in Avraham Ben Yitzhak and Yoel Hoffmann

pp. 109-128 | DOI: 10.1353/jji.2014.0002

The Language that was Lost on the Roads: Discovering Hebrew through Yiddish in Aharon Appelfeld’s Fiction

pp. 129-141 | DOI: 10.1353/jji.2014.0004

The End of “Language Wanderings?”: Yiddish in David Grossman’s Ayen erekh: ahava and Aharon Megged’s Foiglman

pp. 143-162 | DOI: 10.1353/jji.2014.0006

Material Visions: The Poetry and Collage of Leah Goldberg’s Native Landscapes

pp. 163-186 | DOI: 10.1353/jji.2014.0008

Salvage Poetics: S.Y. Agnon’s A Guest for the Night

pp. 187-199 | DOI: 10.1353/jji.2014.0010

“Be Thou Like a Young Hart, O Beloved Mine”: Dahlia Ravikovitch’s Song of Songs

pp. 201-210 | DOI: 10.1353/jji.2014.0000


pp. vi-ix | DOI: 10.1353/jji.2014.0003

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