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Browse Book and Journal Content on Project MUSE

Volume 61, Number 4, Winter 2009

Table of Contents

The Shape of New Media: Screen Space, Aspect Ratios, and Digitextuality

pp. 3-16 | DOI: 10.1353/jfv.0.0045

Autobiography, Corporeality, Seriality: Nanni Moretti’s Dear Diary as a Narrative Archipelago

pp. 17-30 | DOI: 10.1353/jfv.0.0047

Disappearing into the Distance and Getting Closer All the Time: Vision, Position, and Thought in Kiarostami’s The Wind Will Carry Us

pp. 31-40 | DOI: 10.1353/jfv.0.0049

How Homo Can Hollywood Be?: Remaking Queer Authenticity from To Wong Foo to Brokeback Mountain

pp. 41-54 | DOI: 10.1353/jfv.0.0052

Book Reviews

Figures of Resistance: Essays in Feminist Theory (review)

p. 55 | DOI: 10.1353/jfv.0.0042

Mining the Home Movie: Excavations in Histories and Memories (review)

pp. 56-57 | DOI: 10.1353/jfv.0.0044

Sexy Thrills: Undressing the Erotic Thriller (review)

pp. 58-60 | DOI: 10.1353/jfv.0.0050

Mixed Race Hollywood (review)

pp. 60-62 | DOI: 10.1353/jfv.0.0051

The Blade Runner Experience: The Legacy of a Science Fiction Classic (review)

pp. 63-65 | DOI: 10.1353/jfv.0.0043

Willing Suspension of Disbelief: Poetic Faith in Film (review)

pp. 65-66 | DOI: 10.1353/jfv.0.0046

Super Bitches and Action Babes: The Female Hero in Popular Cinema, 1970–2006 (review)

pp. 66-68 | DOI: 10.1353/jfv.0.0048


Index to Volume 61

pp. 69-70 | DOI: 10.1353/jfv.0.0041

Research Areas


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