In lieu of an abstract, here is a brief excerpt of the content:

  • Books Received
*Anderson, Patrick. So Much Wasted: Hunger, Performance, and the Morbidity of Resistance. Durham: Duke UP, 2010.
*Bailes, Sara Jane. Performance Theatre and the Poetics of Failure: Forced Entertainment, Goat Island, Elevator Repair Service. London: Routledge, 2011.
Banks, Daniel. Say Word! Voices From Hip Hop Theatre. Ann Arbor: U of Michigan P, 2011. [End Page 170]
Bayly, Simon. A Pathology of Performance. New York: Palgrave, 2011.
Bennett, Michael Y. Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet, and Pinter. New York: Palgrave, 2011.
Bernstein, Robin. Racial Innocence: Performing American Childhood from Slavery to Civil Rights. New York: NYU P, 2011.
Blau, Herbert. As If: An Autobiography: Volume One. Ann Arbor: U of Michigan P, 2011.
Blau, Herbert. Reality Principles: From the Absurd to the Virtual. Ann Arbor: U of Michigan P, 2011.
Burnett, Mark Thornton and Adrian Streete, eds. Filming and Performing: Renaissance History. New York: Palgrave, 2011.
*Canning, Charlotte and Thomas Postlewait, eds. Representing The Past: Essays in Performance Historiography. Iowa City: U of Iowa P, 2010.
Canton, Ursula. Biographical Theatre: Re-Presenting Real People? New York: Palgrave, 2011.
Catanese, Brandi Wilkins. The Problem of the Color[blind]: Racial Transgression and the Politics of Black Performance. Ann Arbor: U of Michigan P, 2011.
Chen, Xiaomei, ed. The Columbia Anthology of Modern Chinese Drama. New York: Columbia UP, 2010.
D. Savitri and Bill Talen, eds. The Reverend Billy Project: From Rehearsal Hall to Super Mall with the Church of Life After Shopping. Ann Arbor: U of Michigan P, 2011.
*Di Benedetto, Stephen. The Provocation of the Senses in Contemporary Theatre. New York: Routledge, 2010.
*Dodds, Sherril. Dancing on the Canon: Embodiments of Value in Popular Dance. New York: Palgrave, 2011.
*Dunbar, Judith. The Winter's Tale (Shakespeare in Performance Series). Manchester: Manchester UP, 2010. [End Page 171]
Figueira, Dorothy and Marc Maufort, eds., with Sylvie Vranckx. Theatres in the Round: Multi-Ethnic and Intertextual Dialogues in Drama. Brussels: Peter Lang, 2011.
*Fischer, Iris. Mabou Mines: Making Avant-Garde Theater in the 1970s. Ann Arbor: U of Michigan P, 2011.
Fisher, James. Historical Dictionary of Contemporary American Theater: 1930–2010, Vol. 1 & 2. Lanham, MD: Scarecrow, 2011.
Ford, John. The Lady's Trial. Ed. Lisa Hopkins. New York: Palgrave, 2011.
*Gruber, William. Offstage Space, Narrative, and the Theatre of the Imagination. New York: Palgrave, 2010.
Hagen, Lisa Hall. Examining the Use of Safety, Confrontation, and Ambivalence in Six Depictions of Reproductive Women on the American Stage, 1997–2007: Staging "The Place” of Abortion. Lewiston: Edwin Mellen, 2010.
Harding, James M. Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde. Ann Arbor: U of Michigan P, 2010.
*Hillman, Richard. French Origins of English Tragedy. Manchester: Manchester UP, 2010.
*Hingorani, Dominic. British Asian Theatre: Dramaturgy, Process and Performance. New York: Palgrave, 2010.
Irish, Sharon. Suzanne Lacy: Spaces Between. Minneapolis: U of Minnesota P, 2010.
Jackson, Anthony and Jenny Kidd, eds. Performing Heritage: Research, Practice and Innovation in Museum Theatre and Live Interpretation. New York: Manchester UP, 2011.
*Jackson, Shannon. Social Works: Performing Arts, Supporting Publics. New York: Routledge, 2011.
**Jannarone, Kimberly. Artaud and His Doubles. Ann Arbor: U of Michigan P, 2010.
Johansson, Ola. Community Theatre and AIDS. New York: Palgrave, 2011. [End Page 172]
*Koss, Juliet. Modernism after Wagner. Minneapolis: U of Minnesota P, 2010.
Kuftinec, Sonja Arsham. Theatre, Facilitation, and Nation Formation in the Balkans and Middle East. New York: Palgrave, 2009.
Lei, Daphne P. Alternative Chinese Opera in the Age of Globalization: Performing Zero. New York: Palgrave, 2011.
Leon, Mechele. Molière, The French Revolution, and the Theatrical Afterlife. Iowa City: U of Iowa P, 2009.
*Lutterbie, John. Toward a General Theory of Acting: Cognitive Science and Performance. New York, Palgrave, 2011.
Maufort, Marc. Labyrinth of Hybridities: Avatars of O'Neillian Realism in Multi-Ethnic American Drama (1972–2003). Brussels: Peter Lang, 2011.
McKenzie, Jon, Heike Roms, and C. J. W.-L. Wee, eds. Contesting Performance: Global Sites of Research. New York: Palgrave, 2010.
*Menon, Madhavi, ed. Shakesqueer: A Queer Companion to the Complete Works of Shakespeare. Durham: Duke UP, 2011.
Nellhaus, Tobin. Theatre, Communication, Critical Realism. New York: Palgrave, 2010.
Osborne, Elizabeth A. Staging the People: Community and Identity in the Federal Theatre Project...

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