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Browse Book and Journal Content on Project MUSE

Volume 26, Number 2, Spring 2012

Table of Contents


Abject Afrikaner, Iconoclast Trekker: Peter Van Heerden’s Performance Interventions within the Laagers of White Masculinity

pp. 7-30 | DOI: 10.1353/dtc.2012.0009

“A” is for Abject: The Red Letter Plays of Suzan-Lori Parks

pp. 31-56 | DOI: 10.1353/dtc.2012.0013

The End of Room-Space: Domesticity and the Absent Audience in Wallace Shawn’s The Fever

pp. 57-73 | DOI: 10.1353/dtc.2012.0017

The Market for Argument: Preaching the Puritan Counterpublic at Paul’s Cross

pp. 75-96 | DOI: 10.1353/dtc.2012.0021

Special Section: “Affect/Performance/Politics”

Special Section: “Affect/Performance/Politics”

pp. 99-107 | DOI: 10.1353/dtc.2012.0000

Behaviorism, Catharsis, and the History of Emotion

pp. 109-125 | DOI: 10.1353/dtc.2012.0004

“May she read liberty in your eyes?” Beecher, Boucicault and the Representation and Display of Antebellum Women’s Racially Indeterminate Bodies

pp. 127-144 | DOI: 10.1353/dtc.2012.0007

Feeling Scottish: Affect, Mimicry, and Vaudeville’s “Inimitable” Harry Lauder

pp. 145-160 | DOI: 10.1353/dtc.2012.0011

“Structures of Feeling” as Methodology and the Re-emergence of Holocaust Survivor Testimony in 1960s Czechoslovakia

pp. 161-172 | DOI: 10.1353/dtc.2012.0015

Performance and the Pace of Empathy

pp. 173-188 | DOI: 10.1353/dtc.2012.0019

Affect in Deleuze, Hijikata, and Coates: The Politics of Becoming-Animal in Performance

pp. 189-203 | DOI: 10.1353/dtc.2012.0023

Feeling Women’s Culture: Women’s Music, Lesbian Feminism, and the Impact of Emotional Memory

pp. 205-219 | DOI: 10.1353/dtc.2012.0002

Book Reviews

Performing Remains: Art and War in Times of Theatrical Reenactment (review)

pp. 223-225 | DOI: 10.1353/dtc.2012.0006

Theatre of Crisis: The Performance of Power in the Kingdom of Ireland, 1662–1692 (review)

pp. 225-227 | DOI: 10.1353/dtc.2012.0010

British Asian Theatre: Dramaturgy, Process and Performance (review)

pp. 227-229 | DOI: 10.1353/dtc.2012.0014

Shakesqueer: A Queer Companion to the Complete Works of Shakespeare (review)

pp. 229-231 | DOI: 10.1353/dtc.2012.0018

The Provocation of the Senses in Contemporary Theatre (review)

pp. 232-234 | DOI: 10.1353/dtc.2012.0022

So Much Wasted: Hunger, Performance, and the Morbidity of Resistance (review)

pp. 234-236 | DOI: 10.1353/dtc.2012.0001

Modernism after Wagner (review)

pp. 237-239 | DOI: 10.1353/dtc.2012.0005

French Origins of English Tragedy (review)

pp. 239-241 | DOI: 10.1353/dtc.2012.0008

Philosophers & Thespians: Thinking Performance (review)

pp. 241-243 | DOI: 10.1353/dtc.2012.0012

Representing the Past: Essays in Performance Historiography (review)

pp. 244-246 | DOI: 10.1353/dtc.2012.0016

Performance Theatre and the Poetics of Failure: Forced Entertainment, Goat Island, Elevator Repair Service (review)

pp. 246-248 | DOI: 10.1353/dtc.2012.0020

Social Works: Performing Art, Supporting Publics (review)

pp. 248-250 | DOI: 10.1353/dtc.2012.0024

Books Received

pp. 251-255 | DOI: 10.1353/dtc.2012.0003

Research Areas


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