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Table of Contents

  1. England, Islam, and the Mediterranean Drama: Othello and Others
  2. Lawrence Danson
  3. pp. 1-25
  4. DOI: https://doi.org/10.1353/jem.2002.0012
  5. restricted access
  1. “Under my hands . . . a double duty”: Printing and Pressing Marlowe’s Hero and Leander
  2. Robert F. Darcy
  3. pp. 26-56
  4. DOI: https://doi.org/10.1353/jem.2002.0015
  5. restricted access
  1. The Imperial Sublime: English Travel Writing and India, 1750–1820
  2. Pramod K. Nayar
  3. pp. 57-99
  4. DOI: https://doi.org/10.1353/jem.2002.0017
  5. restricted access
  1. Slowed-Down Time and the Fear of History: The Medievalist Visions of William Blake and William Morris
  2. Martin Bidney
  3. pp. 100-120
  4. DOI: https://doi.org/10.1353/jem.2002.0002
  5. restricted access
  1. The Anatomy of Nature: Geology and American Landscape Painting, 1825–1875. by Rebecca Bedell (review)
  2. Thomas M. Allen
  3. pp. 121-124
  4. DOI: https://doi.org/10.1353/jem.2002.0005
  5. restricted access
  1. Shakespeare’s Political Realism: The English History Plays by Tim Spiekerman (review)
  2. Brian Walsh
  3. pp. 124-127
  4. DOI: https://doi.org/10.1353/jem.2002.0008
  5. restricted access
  1. Sappho in Early Modern England: Female Same-Sex Literary Erotics, 1550–1714 by Harriette Andreadis (review)
  2. Julie Crawford
  3. pp. 128-132
  4. DOI: https://doi.org/10.1353/jem.2002.0011
  5. restricted access
  1. Contributors
  3. pp. 133-134
  4. DOI: https://doi.org/10.1353/jem.2002.0014
  5. restricted access