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  • Contributors

Katarzyna Bazarnik is an assistant professor in the Institute of English Philology at Jagiellonian University in Kraków and a lecturer in the Postgraduate Program for Literary Translation, where she runs translation workshops. She has published on James Joyce, B. S. Johnson, and avant-garde writing, as well as on literary translation, and she has edited or co-edited several volumes of essays, including Wokol Jamesa Joyce'a (Around James Joyce), Od Joyce'a do liberatury (From Joyce to Liberature), and James Joyce and After. Writer and Time, and she is the author of Joyce and Liberature. Her theoretical work on "liberature" as a new literary genre integrating the verbal content with the material shape of the book introduced the concept to the academic world. She is also a translator of two of Johnson's novels, The Unfortunates and House Mother Normal, and co-author of "liberature" books: a triple-volume Oka-leczenie and (O)patrzenie Ga(u)ze, written jointly with her husband, Zenon Fajfer. Together they run the Liberature Reading Room in the Malopolski Garden of Arts in Kraków and edit the "Liberatura" series of the Korporacja Ha!art Publishing House, a unique editorial project promoting the genre.

Dominika Bednarska has a Ph.D. in English and Disability Studies from the University of California, Berkeley. Her writing has appeared in The Culture of Efficiency: Technology in Everyday Life, and Nobody Passes: Rejecting the Rules of Gender and Conformity, a Lambda nominee. Her poetry publications include The Bellevue Literary Review, Blast Furnace, and Wordgathering. She also wrote and performed a solo show, My Body Love Story, which began the National Queer Arts Festival in 2012. For more information about her publications and performances, please go to <dominikabednarskaspeaks.blogspot.com>.

Roy Benjamin teaches at the Borough of Manhattan Community College. His articles on Finnegans Wake and various subjects have appeared in the James Joyce Quarterly, Joyce Studies Annual, Journal of Modern Literature, and Irish Studies Review. He is currently working on a group of articles on the relation of the Wake to such subjects as noise, ocularcentrism, and ritual.

William S. Brockman is Paterno Family Librarian for Literature at Pennsylvania State University. He has been Bibliographer for the James Joyce Quarterly since 1990 and edits the James Joyce Checklist and the Joyce Calendar.

Jessica Burstein is Associate Professor in the Department of English and the Department of Gender, Women, and Sexuality Studies at the University of Washington. She is the author of Cold [End Page 197] Modernism: Literature, Art, Fashion, has published on Dorothy Parker and academic envy, and is currently working on a multidisciplinary account of overlooked women in the arts from the 1920s through the 1970s.

Kevin J. H. Dettmar is W. M. Keck Professor and Chair of the Department of English at Pomona College. He is the author of The Illicit Joyce of Postmodernism and co-editor of the Oxford University Press series Modernist Literature and Culture.

Kimberly J. Devlin, Professor of English at the University of California, Riverside, is the author of Wandering and Return in "Finnegans Wake" and James Joyce's Fraudstuff. She has co-edited Joycean Cultures/Culturing Joyce's and "Ulysses": En-Gendered Perspectives. Her most recent essays are "Joyce's Snob Story: 'A Mother' and the Problem of Contempt," in Collaborative Dubliners, and "Rereading Ulysses: Indeterminacy, Error, and Fixing the Past," in Joyce Studies Annual 2011.

Steven Doloff is Professor of Humanities at Pratt Institute in New York City. His scholarship has appeared in the James Joyce Quarterly, Joyce Studies Annual, the Shakespeare Quarterly, the Shakespeare Yearbook, the Review of English Studies, the Huntington Library Quarterly, and the Eugene O'Neill Review.

Jeffrey Drouin is Assistant Professor of English and Associate Director of the Modernist Journals Project at the University of Tulsa. He is currently finishing a book on Joyce and science and developing a digital humanities project entitled the Ecclesiastical Proust Archive.

Kevin Farrell is a doctoral candidate in English Language and Literature at the Catholic University of America, where he has served as a Teaching Fellow and the Assistant Director of the Writing Program.

Maria Kager is a doctoral candidate in Comparative Literature at Rutgers University with research...

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