Index to Volume 34

Articles

• Anesko, Michael. Textual Monuments/Crumbling Idols; or, What We Never Knew about Henry James (and Never Thought to Ask). 183–96.

• Bateman, Benjamin. The Beast to Come: Henry James and the Writing of Queer Messianism. 83–97.

• Collister, Peter. “As an artist and as a bachelor”: The Sexual Dynamics of “The Liar.” 64–82.

• Da, Nan. Lao She, James, and Reading Time. 285–95.

• Fraser, Gordon. The Anxiety of Audience: Economies of Readership in James’s Hawthorne. 1–15.

• Funchion, John. Critical Oversights: The Aesthetics and Politics of Reading The Bostonians. 279–84.

• Gibson, John. Representation and the Novel. 220–31.

• Griffin, Susan M. Introduction to Reading James Forum. 211–12.

• Hannah, Daniel. Green James? Reading Ecologies. 261–69.

• Held, Joshua. Conscience and Consciousness in The Ambassadors: Epistemology, Focalization, and Narrative Ethics. 33–46.

• Hochman, Barbara. Reading Historically/Reading Selectively: The Bostonians in the Century, 1885–1886. 270–78.

• Hutchison, Hazel. “An Embroidered Veil of Sound”: The Word in the Machine in Henry James’s In the Cage. 147–62.

• Izzo, Donatella. Is There a Beast in This Class? The Pragmatics and Ethics of Dialogic Reading. 249–60.

• Moore, Robbie. Monster Hotels, Elastic Men, and the Bourgeois Age. 113–29.

• Nemerov, Alexander. James as Magician: Deception and the Moment of Truth. 213–19.

• Nichols, Ben. Queer Footing: Pedestrian Politics and the Problem of Queer Difference in The Princess Casamassima. 98–111.

• O’Hara, Daniel. The Greatest Gift: On the Ecstasy of Reading in “The Beast in the Jungle.” 245–48.

• Phipps, Gregory. “Our Habit Saves You”: Peircean Subjectivity in “The Beast in the Jungle.” 47–63.

• Plotz, John. Henry James’s Rat-tat-tat-ah: Insidious Loss, Disguised Recovery and Semi-Detached Subjects. 232–44.

• Spunt, Nicola Ivy. Pathological Commodification, Contagious Impressions, and Dead Metaphors: Undiagnosing Consumption in The Wings of the Dove. 163–82.

• Stanley, Kate. Henry James’s Syntax of Surprise. 16–32.

• Strauss, Rebecca. Henry James’s Social Fabric. 130–46.

• Wortman, William A. A Production of Daisy Miller: A Comedy. 197–99.

Review Essays

• Hatten, Charles. Henry James and Modernism. Review of Timo Müller. The Self as Object in Modernist Fiction: James, Joyce, Hemingway; and Maud Ellmann. The Nets of Modernism: Henry James, Virginia Woolf, James Joyce, and Sigmund Freud. 200–05.

• Matheson, Neill. Review of Greg W. Zacharias, ed., A Companion to Henry James. 206–09.

• McGrath, Brian S. Are Literary Studies Any Good as History? Review of Amy Blair. Reading Up: Middle-Class Readers and the Culture of Success in the Early Twentieth-Century United States; and Andrew Lawson, Downwardly Mobile, The Changing Forces of American Realism. 296–304.

Book Reviews

• Goldberg, Shari. Review of Emma Tennant. The Beautiful Child. E-21–E-23.

• Izzo, Donatella. Review of Henry James’s Europe: Heritage and Transfer. E-24–E-28.

• MacLeod, Dianne Sachko. Review of Inge Reist and Rosella Mamoli Zorzi. Power Underestimated: American Women Art Collectors. E-1–E-4.

• Pahl, Dennis. Review of Anna Despotopoulou and Kimberly C. Reed, eds. Henry James and the Supernatural. E-8–E-13.

• Ringuette, Dana. Review of Henry James. The Birthplace. E-28–E-31.

• Walker, Pierre A. Review of Paul Fisher. House of Wits: An Intimate Portrait of the James Family. E-14–E-21.

• Yeazell, Ruth Bernard. Review of Kevin Ohi. Henry James and the Queerness of Style. E-4–E-8.