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Browse Book and Journal Content on Project MUSE

Volume 34, Number 1, Winter 2013

Table of Contents

The Anxiety of Audience: Economies of Readership in James’s Hawthorne

pp. 1-15 | DOI: 10.1353/hjr.2013.0005

Henry James’s Syntax of Surprise

pp. 16-32 | DOI: 10.1353/hjr.2013.0007

Conscience and Consciousness in The Ambassadors: Epistemology, Focalization, and Narrative Ethics

pp. 33-46 | DOI: 10.1353/hjr.2013.0009

“Our Habit Saves You”: Peircean Subjectivity in “The Beast in the Jungle”

pp. 47-63 | DOI: 10.1353/hjr.2013.0001

“As an artist and as a bachelor”: The Sexual Dynamics of “The Liar”

pp. 64-82 | DOI: 10.1353/hjr.2013.0002

The Beast to Come: Henry James and the Writing of Queer Messianism

pp. 83-97 | DOI: 10.1353/hjr.2013.0003

Queer Footing: Pedestrian Politics and the Problem of Queer Difference in The Princess Casamassima

pp. 98-111 | DOI: 10.1353/hjr.2013.0004

Book Reviews

Power Underestimated: American Women Art Collectors by Rosella Mamoli Zorzi (review)

pp. E-1-E-4 | DOI: 10.1353/hjr.2013.0006

Henry James and the Queerness of Style by Kevin Ohi (review)

pp. E-4-E-8 | DOI: 10.1353/hjr.2013.0008

Henry James and the Supernatural ed. by Anna Despotopoulou and Kimberly C. Reed (review)

pp. E-8-E-13 | DOI: 10.1353/hjr.2013.0000

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