Abstract

Medieval Spanish monasteries were turned into monuments through a series of political struggles that claimed them for competing ideas of the nation from federalist, Catholic, regional, and fascist conceptions of Spain. Víctor Balaguer was a key figure in establishing the centrality of monasteries in the Spanish national imaginary. Monasteries, seen as nodes in a network that structured the Iberian territory since medieval times, were central to his political conception of the relation between Catalan and Spanish nationalism. Significantly, monasteries have remained central to debates about Spanish nationalism from 1835 to the World Heritage designations of the twentieth century. Seen in this light, monasteries appear more as instruments of political and cultural processes than as static objects. They are monuments in constant evolution, the changing and dynamic outcome of an intricate and complex process of confrontation and negotiation between social agents who struggle to define their value and meaning to the nation.

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