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Table of Contents

  1. Una vela por Gloria (A Candle for Gloria)
  2. Cordelia Candelaria
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/fro.2004.0057
  5. restricted access
  1. Artist's Statement
  2. Anesa Miller
  3. p. 4
  4. DOI: https://doi.org/10.1353/fro.2004.0064
  5. restricted access
  1. Photograph Dated 1927
  2. Anesa Miller
  3. pp. 5-7
  4. DOI: https://doi.org/10.1353/fro.2004.0065
  5. restricted access
  1. Queerying Hollywood's Tough Chick: The Subversions of Sex, Race, and Nation in The Long Kiss Goodnight and The Matrix
  2. Theresa L. Geller
  3. pp. 8-34
  4. DOI: https://doi.org/10.1353/fro.2004.0062
  5. restricted access
  1. The Substitute Plumber
  2. B Petronio
  3. pp. 35-46
  4. DOI: https://doi.org/10.1353/fro.2004.0066
  5. restricted access
  1. Narrative "Confidence Games": Framing the Blonde Spectacle in Gentlemen Prefer Blondes (1925) and Nights at the Circus (1984)
  2. Laurie J. C. Cella
  3. pp. 47-62
  4. DOI: https://doi.org/10.1353/fro.2004.0058
  5. restricted access
  1. The Erotics of Racialization: Gender and Sexuality in the Making of California
  2. Yolanda Venegas
  3. pp. 63-89
  4. DOI: https://doi.org/10.1353/fro.2004.0070
  5. restricted access
  1. The Long Day
  2. Claudette Schreuders
  3. pp. 90-99
  4. DOI: https://doi.org/10.1353/fro.2004.0068
  5. restricted access
  1. Artist's Statement
  2. Claudette Schreuders
  3. p. 96
  4. DOI: https://doi.org/10.1353/fro.2004.0069
  5. restricted access
  1. Lockjaw
  2. Holly Farris
  3. pp. 100-103
  4. DOI: https://doi.org/10.1353/fro.2004.0061
  5. restricted access
  1. A Diplomat's Wife in Mexico: Creating Professional, Political, and National Identities in the Early Twentieth Century
  2. Molly M. Wood
  3. pp. 104-133
  4. DOI: https://doi.org/10.1353/fro.2004.0071
  5. restricted access
  1. An American Concubine in Old Korea: Missionary Discourse on Gender, Race, and Modernity
  2. Hyaeweol Choi
  3. pp. 134-161
  4. DOI: https://doi.org/10.1353/fro.2004.0059
  5. restricted access
  1. Saint Mazie: A Socialist-Feminist Understanding of Film in Tillie Olsen's Yonnondio: From the Thirties
  2. Chris Robe
  3. pp. 162-177
  4. DOI: https://doi.org/10.1353/fro.2004.0067
  5. restricted access
  1. Introduction
  2. Gayle Ann Gullett, Susan E. Gray
  3. pp. vii-viii
  4. DOI: https://doi.org/10.1353/fro.2004.0063
  5. restricted access
  1. Contributors
  3. pp. 178-180
  4. DOI: https://doi.org/10.1353/fro.2004.0060
  5. restricted access