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French Forum 29.2 (2004) 139-140



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Books Received

Barbara K. Altmann and Carleton W. Carroll, eds. The Court Reconvenes: Courtly Literature Across the Disciplines. Selected Papers from the Ninth Triennial Congress of the International Courtly Literature Society, University of British Columbia, 1998. Cambridge: D. S. Brewer, 2003. x + 370 pp.

Guy Austin. Stars in Modern French Film. London: Arnold, 2003. vii + 149 pp.

Hélène Cixous. Portrait of Jacques Derrida as a Young Jewish Saint. Translated by Beverley Bie Brahic. New York: Columbia University Press, 2004. xi + 136 pp.

Régis Debray. Transmitting Culture. Translated by Eric Rauth. New York: Columbia University Press, 2004. xi + 155 pp.

Jed Deppman, Daniel Ferrer, and Michael Groden, eds. Genetic Criticism: Texts and Avant-textes. Philadelphia: University of Pennsylvania Press, 2004. vii + 272 pp.

Jean Echenoz. Chopin's Move. Translated by Mark Polizzotti. Normal il: Dalkey Archive Press, 2004. 135 pp.

Elisabeth A. Fraser. Delacroix, Art and Patrimony in Post-Revolutionary France. Cambridge: Cambridge University Press, 2004. xiii + 261 pp.

Steven Jaron. Edmond Jabès: The Hazard of Exile. Oxford: Legenda, 2003. xiv + 189 pp.

Michael S. Koppisch. Rivalry and the Disruption of Order in Molière's Theater. Cranbury NJ: Fairleigh Dickinson University Press, 2004. 216 pp.

Michel Lacroix. De la beauté comme violence: L'esthétique du fascisme français, 1919-1939. Montréal: Presses de l'Université de Montréal, 2004. 393 pp.

Elisabeth Loevlie. Literary Silences in Pascal, Rousseau, and Beckett. Oxford: Oxford University Press, 2003. 252 pp.

Johanna Malt. Obscure Objects of Desire: Surrealism, Fetishism, and Politics. Oxford: Oxford University Press, 2004. ix + 234 pp.

Patrick McCarthy. Camus: The Stranger. 2nd ed. Cambridge: Cambridge University Press, 2004. 109 pp.

Elizabeth McCombie. Mallarmé and Debussy: Unheard Music, Unseen Text. Oxford: Oxford University Press, 2003. xix + 219 pp.

John C. O'Neal and Ourida Mostefai, eds. Approaches to Teaching Rousseau's Confessions and Reveries of the Solitary Walker. New York: Modern Language Association of America, 2003. xiii + 157 pp. [End Page 139] 139

Roger Pearson. Mallarmé and Circumstance: The Translation of Silence. Oxford: Oxford University Press, 2004. vi + 282 pp.

Kristin Ross. May '68 and Its Afterlives. Chicago: University of Chicago Press, 2002. ix + 238 pp.

Nathalie Sarraute. Martereau. Translated by Maria Jolas. Normal IL: Dalkey Archive Press, 2004. 250 pp.

Nathalie Sarraute. Do You Hear Them? Translated by Maria Jolas. Normal il: Dalkey Archive Press, 2004. 147 pp.

Andy Stafford. Roland Barthes, Phenomenon and Myth: An Intellectual Biography. Edinburgh: Edinburgh University Press, 1998. xi + 260 pp.

David LeHardy Sweet. Savage Sight/Constructed Noise: Poetic Adaptations of Painterly Techniques in the French and American Avant-Gardes. Chapel Hill: North Carolina Studies in the Romance Languages and Literatures, no. 276 , 2003. 318 pp.

Alain P. Toumayan. Encountering the Other: The Artwork and the Problem of Difference in Blanchot and Levinas. Pittsburgh: Duquesne University Press, 2004. ix + 231 pp.

Jean-Didier Urbain. At the Beach. Translated by Catherine Porter. Minneapolis: University of Minnesota Press, 2003. xi + 362 pp.

Madame de Villedieu. Memoirs of the Life of Henriette-Sylvie de Molière. Edited and Translated by Donna Kuizenga. Chicago: University of Chicago Press, 2004. xxxi + 194 pp.



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