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In this Issue

Table of Contents

  1. The Crescent Moon and the Orb: Political Allegory and Cosmographic Detour in Gabriel Bounin’s La Soltane
  2. Antonia Szabari
  3. pp. 1-16
  4. DOI: https://doi.org/10.1353/frf.2015.0016
  5. restricted access
  1. Enquête sur une apparition (Flaubert, L’Éducation sentimentale, I, 1)
  2. Daniel Sangsue
  3. pp. 17-32
  4. DOI: https://doi.org/10.1353/frf.2015.0019
  5. restricted access
  1. “Ni haine ni pardon”: Gabriel Marcel and Robert Antelme on the Limits of the Human
  2. Erin Tremblay Ponnou-Delaffon
  3. pp. 33-46
  4. DOI: https://doi.org/10.1353/frf.2015.0022
  5. restricted access
  1. L’Homme que nous aimons le plus: French Intellectuals Celebrate Stalin’s 70th Birthday
  2. Andrew Sobanet
  3. pp. 47-66
  4. DOI: https://doi.org/10.1353/frf.2015.0025
  5. restricted access
  1. Michelle Grangaud’s Geste: An Anti-Epic of Everyday Life
  2. Raluca Manea
  3. pp. 67-82
  4. DOI: https://doi.org/10.1353/frf.2015.0028
  5. restricted access
  1. Ceremony and Silence in Gérard Gavarry’s Allada
  2. Warren Motte
  3. pp. 83-95
  4. DOI: https://doi.org/10.1353/frf.2015.0030
  5. restricted access
  1. Michel Houellebecq and the Promise of Utopia: A Tale of Progressive Disenchantment
  2. Louis Betty
  3. pp. 97-109
  4. DOI: https://doi.org/10.1353/frf.2015.0015
  5. restricted access
  1. Au fil du temps, les masques tombent: Mémoire familiale et vérité chez Delphine de Vigan
  2. Valérie Dusaillant-Fernandes
  3. pp. 111-125
  4. DOI: https://doi.org/10.1353/frf.2015.0018
  5. restricted access
  1. Figurations d’éditeurs dans la littérature française contemporaine
  2. Anthony Glinoer
  3. pp. 127-139
  4. DOI: https://doi.org/10.1353/frf.2015.0021
  5. restricted access
  1. L’adaptation transculturelle de Thérèse Raquin de Zola dans Thirst, film coréen
  2. Antoine Coppola, Lee Ji-soon
  3. pp. 141-155
  4. DOI: https://doi.org/10.1353/frf.2015.0024
  5. restricted access
  1. An Atmospherics of the City: Baudelaire and the Poetics of Noise by Ross Chambers (review)
  2. Robert St. Clair
  3. pp. 157-160
  4. DOI: https://doi.org/10.1353/frf.2015.0027
  5. restricted access
  1. In Looking Back One Learns to See: Proust and Photography by Mary Bergstein (review)
  2. André Benhaim
  3. pp. 160-161
  4. DOI: https://doi.org/10.1353/frf.2015.0029
  5. restricted access
  1. “Non”: Fragments d’un roman sur la Résistance by André Malraux (review)
  2. Yves Laberge
  3. pp. 164-167
  4. DOI: https://doi.org/10.1353/frf.2015.0017
  5. restricted access
  1. Against Autobiography: Albert Memmi and the Production of Theory by Lia Nicole Brozgal (review)
  2. Edward Kaplan
  3. pp. 167-168
  4. DOI: https://doi.org/10.1353/frf.2015.0020
  5. restricted access
  1. Sfar So Far: Identity, History, Fantasy and Mimesis in Joann Sfar’s Graphic Novels by Fabrice Leroy (review)
  2. Mark McKinney
  3. pp. 169-171
  4. DOI: https://doi.org/10.1353/frf.2015.0023
  5. restricted access
  1. Books Received
  2. pp. 173-174
  3. DOI: https://doi.org/10.1353/frf.2015.0026
  4. restricted access