We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE
OR

Volume 54, Number 2, Fall 2013

Table of Contents

Editorial

pp. 127-128 | DOI: 10.1353/frm.2013.0024

DOSSIER: Early Cinema in South Asia: The Problem of the Archive

Introduction

pp. 129-135 | DOI: 10.1353/frm.2013.0027

What Is “Early” Cinema?

pp. 136-139 | DOI: 10.1353/frm.2013.0015

Early Cinema in South Asia: The Place of Technology in Narratives of Its Emergence

pp. 140-145 | DOI: 10.1353/frm.2013.0017

Melodrama as Method

pp. 146-151 | DOI: 10.1353/frm.2013.0019

On Scavenging and Salvaging: NFAI and Early Indian Cinema

pp. 152-157 | DOI: 10.1353/frm.2013.0021

Essay

Culture Counts

pp. 159-160 | DOI: 10.1353/frm.2013.0023

DOSSIER: Cinema as Timepiece: Critical Perspectives on The Clock

Introduction

pp. 161-176 | DOI: 10.1353/frm.2013.0026

Around The Clock: Museum and Market

pp. 177-191 | DOI: 10.1353/frm.2013.0028

Firing at the Clocks: Cinema, Sampling, and the Cultural Logic of the Late Capitalist Artwork

pp. 192-207 | DOI: 10.1353/frm.2013.0016

On The Clock and Christian Marclay’s Instrumental Logic of Appropriation

pp. 208-225 | DOI: 10.1353/frm.2013.0018

The Clock: Gesture and Cinematic Replaying

pp. 226-242 | DOI: 10.1353/frm.2013.0020

Archival Cinephilia in The Clock

pp. 243-258 | DOI: 10.1353/frm.2013.0022

DOSSIER: Conversations on the Avant-Doc

Conversations on the Avant-Doc: Scott MacDonald Interviews

pp. 259-330 | DOI: 10.1353/frm.2013.0025

Research Areas

Recommend

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access