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Browse Book and Journal Content on Project MUSE

Volume 49, Number 1, Spring 2008

Table of Contents


pp. 5-6 | DOI: 10.1353/frm.0.0005

The Three Sam Spades: The Shifting Model of American Masculinity in the Three Films of The Maltese Falcon

pp. 7-26 | DOI: 10.1353/frm.0.0008


The Language of Real Life: Interview with Ousmane Sembène

pp. 27-29 | DOI: 10.1353/frm.0.0011

Art for Man's Sake: A Tribute to Ousmane Sembène

pp. 30-34 | DOI: 10.1353/frm.0.0014

A Full Integration with Film History: A Tribute to Ingmar Bergman

pp. 36-40 | DOI: 10.1353/frm.0.0000

Antonioni and the Place of Modernity: A Tribute

pp. 42-47 | DOI: 10.1353/frm.0.0002

Dossier on Morphing Realities: The Current Status of the Real in Film and Television


pp. 48-54 | DOI: 10.1353/frm.0.0004

Family Secrets: Alan Berliner's Nobody's Business and the (American) Jewish Autobiographical Film

pp. 55-65 | DOI: 10.1353/frm.0.0007

Self-Despotism: Reality Television and the New Subject of Politics

pp. 66-82 | DOI: 10.1353/frm.0.0010

The Postcolonial Function of Television's Virtual Space in '90s Israeli Cinema

pp. 83-92 | DOI: 10.1353/frm.0.0013

Phantasmatic Losses: National Traumas, Masculinity, and Primal Scenes in Israeli Cinema—Walk on Water

pp. 93-105 | DOI: 10.1353/frm.0.0016

Absence as Presence, Presence as Parapraxis: On Some Problems of Representing "Jews" in the New German Cinema

pp. 106-120 | DOI: 10.1353/frm.0.0001

Chronic Trauma, the Sound of Terror, and Current Israeli Cinema

pp. 121-133 | DOI: 10.1353/frm.0.0003

History's Broken Wings: "Narrative Paralysis" as Resistance to History in Amos Gitai's Film Kedma

pp. 134-143 | DOI: 10.1353/frm.0.0006

The Young, the Damned, and the Restless: Youth in Contemporary Mexican Cinema

pp. 144-160 | DOI: 10.1353/frm.0.0009


Women at the Movies

pp. 161-164 | DOI: 10.1353/frm.0.0012

45th New York Film Festival

pp. 165-167 | DOI: 10.1353/frm.0.0015

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