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Table of Contents

  1. "An America Not Quite Mechanized": Fanchon and Marco, Inc. Perform Modernity
  2. Phil Wagner
  3. pp. 251-267
  4. DOI: https://doi.org/10.2979/filmhistory.23.3.251
  5. restricted access
  1. A Space Apart: Animation and the Spatial Politics of Conversion
  2. Nicholas Sammond
  3. pp. 268-284
  4. DOI: https://doi.org/10.2979/filmhistory.23.3.268
  5. restricted access
  1. "To Sustain Illusion is All That is Necessary": The Authenticity of Song Performance in Early American Sound Cinema
  2. Katherine Spring
  3. pp. 285-299
  4. DOI: https://doi.org/10.2979/filmhistory.23.3.285
  5. restricted access
  1. "Cross-Talk": Language, Space, and the Burns and Allen Comedy Film Short
  2. Charles Wolfe
  3. pp. 300-312
  4. DOI: https://doi.org/10.2979/filmhistory.23.3.300
  5. restricted access
  1. "The Spice of the Program": Educational Pictures, Early Sound Slapstick, and the Small-Town Audience
  2. Rob King
  3. pp. 313-330
  4. DOI: https://doi.org/10.2979/filmhistory.23.3.313
  5. restricted access
  1. Reality Radio: Remediating the Radio Contest Genre in Major Bowes' Amateur Hour Films
  2. Ross Melnick
  3. pp. 331-347
  4. DOI: https://doi.org/10.2979/filmhistory.23.3.331
  5. restricted access
  1. Fantastic Voyages of the Cinematic Imagination: Georges Méliès's "Trip to the Moon." (review)
  2. David Levy
  3. pp. 349-350
  4. DOI: https://doi.org/10.2979/filmhistory.23.3.349
  5. restricted access
  1. Obituary: Robert Sklar (1936-2011)
  2. David M. Lugowski
  3. pp. 352-353
  4. DOI: https://doi.org/10.2979/filmhistory.23.3.352
  5. restricted access
  1. Introduction: Beyond Vitaphone: The Early Sound Short
  2. Rob King
  3. pp. 247-250
  4. DOI: https://doi.org/10.2979/filmhistory.23.3.247
  5. restricted access