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Table of Contents

  1. Hollywood and the Income Tax, 1929–1955
  2. Eric Hoyt
  3. pp. 5-21
  4. DOI: https://doi.org/10.2979/fil.2010.22.1.5
  5. restricted access
  1. The Kaiser and the Cameraman: W.H. Durborough on the Eastern Front, 1915
  2. Cooper C. Graham
  3. pp. 22-40
  4. DOI: https://doi.org/10.2979/fil.2010.22.1.22
  5. restricted access
  1. “There is a tragedy going on here which I will tell you later”: D.W. Griffith and Abraham Lincoln
  2. Arthur Lennig
  3. pp. 41-72
  4. DOI: https://doi.org/10.2979/fil.2010.22.1.41
  5. restricted access
  1. Nils Krok’s social pathos and Paul Garbagni’s style – Ingeborg Holm as object lesson
  2. Jan Olsson
  3. pp. 73-94
  4. DOI: https://doi.org/10.2979/fil.2010.22.1.73
  5. restricted access
  1. Building films for business: Jamison Handy and the industrial animation of the Jam Handy Organization
  2. Brian Oakes
  3. pp. 95-107
  4. DOI: https://doi.org/10.2979/fil.2010.22.1.95
  5. restricted access
  1. New York Chinatown Theatres under the Hong Kong Circuit System
  2. Victor Fan
  3. pp. 108-126
  4. DOI: https://doi.org/10.2979/fil.2010.22.1.108
  5. restricted access
  1. Fight Pictures: A History of Boxing and Early Cinema (review)
  2. Grant Wiedenfeld
  3. p. 127
  4. restricted access
  1. Introduction: Footnotes to Film History
  2. Richard Koszarski
  3. pp. 3-4
  4. restricted access