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Table of Contents

  1. The Technicolor Notebooks at the George Eastman House
  2. Ulrich Ruedel
  3. pp. 47-60
  4. DOI: https://doi.org/10.2979/fil.2009.21.1.47
  5. restricted access
  1. Restoration of Danish silent films – in colour
  2. Thomas C. Christensen
  3. pp. 61-66
  4. DOI: https://doi.org/10.2979/fil.2009.21.1.61
  5. restricted access
  1. Colours, audiences, and (dis)continuity in the 'cinema of the second period'
  2. Nicola Mazzanti
  3. pp. 67-93
  4. DOI: https://doi.org/10.2979/fil.2009.21.1.67
  5. restricted access
  1. Segundo de Chomón and the fascination for colour
  2. Joan M. Minguet Batllori
  3. pp. 94-103
  4. DOI: https://doi.org/10.2979/fil.2009.21.1.94
  5. restricted access
  1. Plate Captions: Color Plates
  3. pp. 1-P8
  4. restricted access
  1. Introduction: Early Colour
  2. Kim Tomadjoglou
  3. pp. 3-6
  4. DOI: https://doi.org/10.2979/fil.2009.21.1.3
  5. restricted access
  1. 'Unnatural Colours': An introduction to colouring techniques in silent era movies
  2. Paul Read
  3. pp. 9-46
  4. DOI: https://doi.org/10.2979/fil.2009.21.1.9
  5. restricted access