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Table of Contents

  1. The Editor's Reflections and Reports
  2. Peter C. Rollins
  3. pp. 1-6
  4. DOI: https://doi.org/10.1353/flm.2005.0055
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  1. The Long Battle Over Fahrenheit 9/11: A Matter of Politics, Not Aesthetics
  2. Robert Brent Toplin
  3. pp. 8-10
  4. DOI: https://doi.org/10.1353/flm.2005.0057
  5. restricted access
  1. Michael Moore and the Re-Birth of the Documentary
  2. Steven Mintz
  3. pp. 10-11
  4. DOI: https://doi.org/10.1353/flm.2005.0049
  5. restricted access
  1. Fahrenheit 9/11: Michael Moore Heats It Up
  2. Ron Briley
  3. pp. 11-12
  4. DOI: https://doi.org/10.1353/flm.2005.0029
  5. restricted access
  1. Fahrenheit 9/11: Documentary, Truth-telling, and Politics
  2. Ken Nolley
  3. pp. 12-16
  4. DOI: https://doi.org/10.1353/flm.2005.0052
  5. restricted access
  2. p. 16
  3. DOI: https://doi.org/10.1353/flm.2005.0060
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  1. An Olympic Omnibus: International Competition, Cooperation, and Politics in Visions of Eight
  2. David Scott Diffrient
  3. pp. 19-28
  4. DOI: https://doi.org/10.1353/flm.2005.0036
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  1. "Down on the floor and give me ten sit-ups": British Sports Feature Film
  2. Glen Jones
  3. pp. 29-40
  4. DOI: https://doi.org/10.1353/flm.2005.0043
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  1. The 'Loneliness' of the Angry Young Sportsman
  2. John Hughson
  3. pp. 41-48
  4. DOI: https://doi.org/10.1353/flm.2005.0041
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  1. "Just Some Bum From the Neighborhood": The Resolution of Post-Civil Rights Tension and Heavyweight Public Sphere Discourse in Rocky (1976)
  2. Victoria A. Elmwood
  3. pp. 49-59
  4. DOI: https://doi.org/10.1353/flm.2005.0037
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  1. Fighting for Manhood: Rocky and Turn-of-the-Century Antimodernism
  2. Clay Motley
  3. pp. 60-66
  4. DOI: https://doi.org/10.1353/flm.2005.0051
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  1. Bobby Jones, Golf, and His Instructional Reels
  2. Michael K. Schoenecke
  3. pp. 67-70
  4. DOI: https://doi.org/10.1353/flm.2005.0056
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  1. Hoops: Escape or Illusion? A Review Essay
  2. Katherine Cipriano
  3. pp. 78-80
  4. DOI: https://doi.org/10.1353/flm.2005.0034
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  1. With All Due Retrospect: The Essential Harold Lloyd
  2. Lorrie Palmer
  3. pp. 81-82
  4. DOI: https://doi.org/10.1353/flm.2005.0054
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  1. Dialogue, Nuance, and Subtlety: Everyone's Depressed
  2. Robert Fyne
  3. pp. 82-83
  4. DOI: https://doi.org/10.1353/flm.2005.0039
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  1. Oliver Stone's Alexander
  2. Terrell Carver
  3. pp. 83-84
  4. DOI: https://doi.org/10.1353/flm.2005.0033
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  1. Tell Them Who You Are (review)
  2. James R. Knecht
  3. pp. 84-85
  4. DOI: https://doi.org/10.1353/flm.2005.0044
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  1. Musical Biography and Film: John Tibbetts Interviewed by Jim Welsh
  2. John C. Tibbetts, Jim Welsh
  3. pp. 86-91
  4. DOI: https://doi.org/10.1353/flm.2005.0058
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  1. Reelpolitik: Political Ideologies in '30s and '40s Films, and: Reelpolitik II: Political Ideologies in '50s and '60s Films (review)
  2. Kevin Dvorak
  3. pp. 92-93
  4. DOI: https://doi.org/10.1353/flm.2005.0035
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  1. Roy Ward Baker (review)
  2. David Lancaster
  3. pp. 93-94
  4. DOI: https://doi.org/10.1353/flm.2005.0045
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  1. American Film: Musical Themes and Forms (review)
  2. Charlene Etkind
  3. pp. 94-95
  4. DOI: https://doi.org/10.1353/flm.2005.0038
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  1. Product Placement in Hollywood Films: A History (review)
  2. David Lancaster
  3. pp. 95-96
  4. DOI: https://doi.org/10.1353/flm.2005.0046
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  1. Policing Cinema: Movies and Censorship in Early Twentieth Century America (review)
  2. Charles Wukasch
  3. pp. 96-97
  4. DOI: https://doi.org/10.1353/flm.2005.0059
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  1. Little Caesar: A Biography of Edward G. Robinson (review)
  2. David Lancaster
  3. pp. 97-98
  4. DOI: https://doi.org/10.1353/flm.2005.0047
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  1. Movie Moguls Speak: Interviews with Top Film Producers (review)
  2. Suzanne Broderick
  3. pp. 98-99
  4. DOI: https://doi.org/10.1353/flm.2005.0032
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  1. The Boxing Filmography: American Features, 1920-2003 (review)
  2. Ron Briley
  3. pp. 99-100
  4. DOI: https://doi.org/10.1353/flm.2005.0031
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  1. Pervert in the Pulpit: Morality in the Works of David Lynch (review)
  2. David Lancaster
  3. pp. 100-101
  4. DOI: https://doi.org/10.1353/flm.2005.0048
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  1. Hick Flicks: The Rise and Fall of Redneck Cinema (review)
  2. Jay Morong
  3. pp. 101-103
  4. DOI: https://doi.org/10.1353/flm.2005.0050
  5. restricted access
  1. Stars and Stripes on Screen: A Comprehensive Guide to Portrayals of American Military on Film (review)
  2. Robert Fyne
  3. p. 103
  4. DOI: https://doi.org/10.1353/flm.2005.0040
  5. restricted access
  1. Michael Moore: Cinematic Historian or Propagandist?: Introduction: Historians on Michael Moore and Fahrenheit 9/11
  2. John E. O'Connor
  3. p. 7
  4. DOI: https://doi.org/10.1353/flm.2005.0053
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  1. Sports in Film, Television, and History: Introduction
  2. Ron Briley
  3. pp. 17-18
  4. DOI: https://doi.org/10.1353/flm.2005.0030
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  1. "What's Natural About It?": A Baseball Movie as Introduction to Key Concepts in Cultural Studies
  2. Latham Hunter
  3. pp. 71-77
  4. DOI: https://doi.org/10.1353/flm.2005.0042
  5. restricted access