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Volume 43, Number 2, Fall 2013

Table of Contents

The Poetics of Feeling

Editor's Introduction

p. 4

Staging Ideology and Love in Good Bye, Lenin!

pp. 5-16

Psychoanalysis and the Scene of Love: Lars and the Real Girl, In the Mood for Love, and Mulholland Drive

pp. 17-33

Postfeminist Noir: Brutality and Retro Aesthetics in The Black Dahlia

pp. 34-49

The Iconography of Violence: Television, Vietnam, and the Soldier Hero

pp. 50-66

Book Reviews

Mass-Market Medieval: Essays on the Middle Ages in Popular Culture ed. by David W. Marshall, and: American Smart Cinema by Claire Perkins, and: Hollywood and the American Historical Film ed. by J. E. Smyth (review)

pp. 67-72

Emerald Illusions, The Irish in early American Cinema by Gary D. Rhodes (review)

pp. 72-74

Reservation Reelism: Redfacing, Visual Sovereignty, and Representations of Native Americans in Film by Michelle H. Raheja (review)

pp. 75-78

They Thought it Was a Marvel: Arthur Melbourne-Cooper (1874-1961), Pioneer of Puppet Animation by Tjitte de Vries and Ati Mul (review)

pp. 78-80

The Maltese Touch of Evil: Film Noir and Potential Criticism by Shannon Scott Clute and Richard L. Edwards (review)

pp. 80-83

J. Edgar Hoover Goes to the Movies: The FBI and the Origins of Hollywood's Cold War by John Sbardellati (review)

pp. 83-85

Derek Jarman by Michael Charlesworth (review)

pp. 86-87

Hollywood Incoherent: Narration in Seventies Cinema by Todd Berliner (review)

pp. 87-89

Hollywood Cinema and the Real Los Angeles by Mark Shiel (review)

pp. 89-91

Landscape Allegory in Cinema: From Wilderness to Wasteland by David Melbye (review)

pp. 92-93

Hollywood's Copyright Wars: From Edison to the Internet by Peter Decherney (review)

pp. 94-95

Too Bold for the Box Office: The Mockumentary from Big Screen to Small ed. by Cynthia J. Miller (review)

pp. 95-97

Reality TV by Misha Kavka (review)

pp. 97-99

Conjugations: Marriage and Form in New Bollywood Cinema by Sangita Gopal (review)

pp. 99-101

Peter Lorre: Face Maker, Constructing Stardom and Performance in Hollywood and Europe by Sarah Thomas (review)

pp. 101-104

America's Corporate Art: The Studio Authorship of Hollywood Motion Pictures by Jerome Christensen (review)

pp. 104-106

Camera Historica: The Century in Cinema by Antoine de Baecque (review)

pp. 106-108

Research Areas


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