Film & History: An Interdisciplinary Journal of Film and Television Studies
Volume 38.2 (2008)
Previous Issue
E-ISSN: 1548-9922 Print ISSN: 0360-3695
Table of Contents

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Documentaries, Part 2
Editor’s Introduction
p. 9
Making Anti-Fascism into Fascism:
pp. 11-20
Character Assassination?: Empire Building and Cultural Pathology in Chen Kaige’s The Emperor and the Assassin
pp. 21-31
Hollywood’s India: The Meaning of RKO’s Gunga Din
pp. 33-44
Say Who Made Her So: Breaker Morant and British Empire
pp. 45-53
ABC’s The Path to 9/11, Terror-Management Theory, and the American Monomyth
pp. 55-66
Film Reviews
Desert Bayou (2006) (review)
pp. 67-68
War and Truth (2007) (review)
pp. 68-71
Secrets of Lost Empires [5 one-hour episodes on 3 DVDs] (review)
pp. 71-73
The Conqueror (1956) (review)
pp. 73-74
Mother Jones:
America’s Most Dangerous Woman (2007) (review)
pp. 74-76
Forever (2006) (review)
pp. 76-77
I for India (2005) (review)
pp. 77-79
21 Up South Africa:
Mandela’s Children (2006) (review)
pp. 79-80
Persepolis (2007) (review)
pp. 80-82
Where’s George (2005) (review)
pp. 82-83
Berlin Alexanderplatz (1980, 2007 DVD) (review)
pp. 83-86
Book Reviews
Research, Analysis, and Memory
pp. 87-88
Remarkable Woman
pp. 88-89
Active Presence
pp. 90-92
Limited Knowledge
pp. 93-94
Critic to Filmmaker
pp. 96-97
Valuable Service
pp. 97-98
Valuable Reference Work
pp. 98-99
Worth Reassessing
pp. 99-100
Breaking Point
pp. 103-104
More Bourgeois Than Bohemian
pp. 104-106
Vicarious Adventures
pp. 106-107
Important Publication
pp. 107-109
100 British Documentaries
pp. 109-110
Featured Poem
The Thing: My Crazy Family
p. 112